The field of arms and armor is beset with romantic legends, gory myths, and widely held misconceptions. Most of them are utter nonsense, devoid of any historical base.
protestations of his historical advisors, who included the eminent authority Sir James Mann
Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
Mann Verlag, 1978. no. 4, pp. 178–79. Parker, Elizabeth C.
Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
Mann Verlag, 1983. pp. 122, 136 n. 15, 167–69, 222, fig. 191.
Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
Mann Verlag, 1983. pp. 122, 136 n. 15, 167–69, 222, fig. 191.
„Der große Sämann„: Zur Sinnbildlichkeit in der Kunst von Vincent van Gogh.
The Background: Between 1649 and 1651, Velázquez travelled to Italy for the second and last time in his life. The main purpose of the trip was to buy paintings and sculptures for King Philip IV of Spain, and while he was in Rome, the painter also received the prestigious commission to portray Pope Innocent X (the canvas is now in the Galleria Doria Pamphilj, Rome)
Mann. Spanish Paintings of the Fifteenth through Nineteenth Centuries.
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