Picking Fruit at Ariccia by Jean-Baptiste-Camille Corot https://www.nga.gov/artworks/195861-picking-fruit-ariccia
22827 in the Goupil & Cie Records, Research Library, Getty Research Institute, Los
Dein Suchergebnis zum Thema: Los Angeles
One Year the Milkweed by Arshile Gorky https://www.nga.gov/artworks/56936-one-year-milkweed
In One Year the Milkweed , one of several so-called color veil paintings Gorky made in 1944, films of paint have been washed unevenly across the canvas, and evocative but indistinct forms have been brushed in. Overall green and brown hues suggest a landscape, but there are no identifiable landscape forms and no spatial recession.
Angeles County Museum of Art; Art Institute of Chicago, 1968, no. 138, fig. 269.
Street of Barns by Lyonel Feininger https://www.nga.gov/artworks/121109-street-barns
no. 16083. 1991 „Degenerate Art“ The Fate of the Avant-Garde in Nazi Germany, Los
Cupid by Edme Bouchardon https://www.nga.gov/artworks/41708-cupid
Paul Getty Museum, Los Angeles; The Museum of Fine Arts, Houston, 2011-2012, no.
Heaven and Earth: Art of Byzantium from Greek Collections | National Gallery of Art https://www.nga.gov/exhibitions/heaven-and-earth-art-byzantium-greek-collections
Including mosaics, icons, manuscripts, jewelry, and ceramics, this exhibition explores the coexistence of paganism and Christianity, spiritual life in Byzantium, secular works of art used in the home, the intellectual life of Byzantine scholars, and the cross-influences that occurred.
Paul Getty Museum, Los Angeles.
Clock of the Académie Française by André Kertész https://www.nga.gov/artworks/93419-clock-academie-francaise
Washington, 2000-2001. 2005 André Kertész, National Gallery of Art, Washington; Los
Alpha Phi Alpha Basketball Team by James Van Der Zee https://www.nga.gov/artworks/170169-alpha-phi-alpha-basketball-team
Harlem Renaissance, Corcoran Gallery of Art, Washington, DC, April 11–June 22, 1998; Los
The Japanese Footbridge by Claude Monet https://www.nga.gov/artworks/74796-japanese-footbridge
In 1883 Monet moved his household, his two sons along with Alice Hoschedé and her children, to the rural community of Giverny, where he leased a house that he was able to purchase seven years later. In early 1893, he acquired a swampy area across the railroad tracks abutting his property and petitioned the village council for permission to divert a small stream into it.
Mudd, Los Angeles; by inheritance to his wife, Victoria Nebeker Coberly [Mrs.
A Dessert by Raphaelle Peale https://www.nga.gov/artworks/110101-dessert
As the oldest son of Charles Willson Peale, Raphaelle Peale was the first in a dynasty of painters and botanists burdened by the names of famous artists and scientists that their father admired. In the first history of American art, published nine years after Raphaelle Peale’s death and one of the very few notices taken of him, William Dunlap wrote that Peale, like his father, was „a painter of portraits in oil and miniature, but excelled more in compositions of still life.
Arnold, Minneapolis; her nephew and his wife; purchased 1975 by (Terry Delapp, Los
Pastry Chef by Chaim Soutine https://www.nga.gov/artworks/52398-pastry-chef
Museum, Cambridge, Massachusetts; The Art Galleries, University of California, Los