Painting and Sculpture by Jean-Pierre-Antoine Tassaert https://www.nga.gov/artworks/41725-painting-and-sculpture
Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los
Dein Suchergebnis zum Thema: Los Angeles
Tobias and the Angel by Filippino Lippi https://www.nga.gov/artworks/370-tobias-and-angel
Records, accession number 960015, Research Library, The Getty Research Institute, Los
The Feast of the Gods by Giovanni Bellini, Titian https://www.nga.gov/artworks/1138-feast-gods
No one parties like the gods—at least not like the mythological ones in this painting, a collaboration by the Renaissance artists Giovanni Bellini and Titian. The picture was the first in a series of bacchanals commissioned by Duke Alfonso d’Este to decorate the camerino d’alabastro (alabaster study) of his castle in Ferrara.
Paul Getty Museum, Los Angeles, 1998-1999. New York, 1998: 30, fig. 18, 31.
The Madonna of Humility by Fra Angelico https://www.nga.gov/artworks/5-madonna-humility
Knoedler and Co. records, Getty Research Institute, Los Angeles (copies NGA curatorial
The Procession, Seville by Francis Picabia https://www.nga.gov/artworks/93248-procession-seville
Before establishing himself as a pioneering member of the dada movement during and after World War I, Picabia experimented with various forms of modernist painting. Procession, Seville belongs to a group of works from 1912 in which the artist demonstrates a sophisticated and highly idiosyncratic assimilation of recent developments in cubism and futurism.[1] Fragmented planes, shallow space, and an allover pattern of flickering lights and darks are all associated with the analytic cubism of Pablo Picasso and Georges Braque;
Toronto; Detroit Institute of Arts, 1970, no. 23, repro. 1971 The Cubist Epoch, Los
The Crucifixion with Saint Jerome and Saint Francis by Pesellino https://www.nga.gov/artworks/250-crucifixion-saint-jerome-and-saint-francis
Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los
Perilous Night by Jasper Johns https://www.nga.gov/artworks/86864-perilous-night
Johns has long been concerned with the visual and conceptual act of decoding. His various manners of painting and drawing, for example, frequently result in a congested accumulation of marks or signs, while his materials include encaustic (a thick, quick-drying wax medium that allows for a visible layering of brushstrokes) as well as objects that have been mounted on the canvas in the manner of assemblage and collage.
Something Resembling Truth’, Royal Academy of Arts, London; The Broad Museum, Los
The Harbor at Lorient by Berthe Morisot https://www.nga.gov/artworks/52192-harbor-lorient
Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles
Approach to Venice by Joseph Mallord William Turner https://www.nga.gov/artworks/117-approach-venice
When Approach to Venice was first exhibited in 1844, Joseph Mallord William Turner quoted Lord Byron in the catalog description: “The moon is up, and yet it is not night / The sun as yet disputes the day with her.� In Turner’s colorful view of Venice, a full moon shares the sky with the setting sun as a flotilla of barges and gondolas makes its way across the lagoon.
Paul Getty Museum, Los Angeles; Fine Arts Museums of San Francisco, 2014-2015, no
Madonna and Child with Saints and Angels by Bernardo Daddi https://www.nga.gov/artworks/41676-madonna-and-child-saints-and-angels
Yet this Virgin and Child are also in joyous and very human interaction with the angels
Paul Getty Museum, Los Angeles; Art Gallery of Ontario, Toronto, 2012-2013, not in