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No one parties like the gods—at least not like the mythological ones in this painting, a collaboration by the Renaissance artists Giovanni Bellini and Titian. The picture was the first in a series of bacchanals commissioned by Duke Alfonso d’Este to decorate the camerino d’alabastro (alabaster study) of his castle in Ferrara.
Paul Getty Museum, Los Angeles, 1998-1999. New York, 1998: 30, fig. 18, 31.

Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles

Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los

Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles

Scroll to discover tiny brushstrokes, hidden meanings, and the immense impact on our understanding of the natural world.
Paul Getty Museum, Los Angeles, 83.GC.214  Joris Hoefnagel, Plate 5: Stag Beetle

The artist’s wife Camille stands on a hill with their son Jean behind her. Monet worked quickly to record this moment.
Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles

Information on this painting can be found in the Gallery publication American Paintings of the Nineteenth Century, Part I, pages 318-322, which is available as a free PDF at https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-19th-century-part-1.pdf
1962, no. 67. 1973 Winslow Homer, Whitney Museum of American Art, New York; Los

In her youth, Georgia O’Keeffe had been particularly fascinated by the jack-in-the-pulpit. In 1930, she executed a series of six paintings of the common North American herbaceous flowering plant at Lake George in New York.
Institute of Chicago; Dallas Museum of Art; The Metropolitan Museum of Art, New York; Los

Records, accession number 960015, Research Library, The Getty Research Institute, Los

Paul Getty Museum, Los Angeles (2008-2009); The Metropolitan Museum of Art, New York