Dein Suchergebnis zum Thema: Los Angeles

1983, no. 4, repro. 1986 The Spiritual in Art: Abstract Painting 1890-1985, Los

Born in 1844 to a working-class family in Laval, France, Henri Rousseau worked briefly for a lawyer and served a stint in the military before taking a position at a French customs post in 1868; the nickname “ Le Douanier “ (the customs inspector) remained with him even after his retirement in 1893.
Vanguard Art, National Gallery of Art, Washington; High Museum of Art, Atlanta; Los

Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los

Monet planted gardens wherever he lived. When he rented this house at Vétheuil, he made arrangements with the owner to landscape the terraces, which lead down to the Seine.
1999 Around Impressionism: French Paintings from the National Gallery of Art, Los

Knoedler and Co. records, Getty Research Institute, Los Angeles (copies NGA curatorial

No one parties like the gods—at least not like the mythological ones in this painting, a collaboration by the Renaissance artists Giovanni Bellini and Titian. The picture was the first in a series of bacchanals commissioned by Duke Alfonso d’Este to decorate the camerino d’alabastro (alabaster study) of his castle in Ferrara.
Paul Getty Museum, Los Angeles, 1998-1999. New York, 1998: 30, fig. 18, 31.

Before establishing himself as a pioneering member of the dada movement during and after World War I, Picabia experimented with various forms of modernist painting. Procession, Seville belongs to a group of works from 1912 in which the artist demonstrates a sophisticated and highly idiosyncratic assimilation of recent developments in cubism and futurism.[1] Fragmented planes, shallow space, and an allover pattern of flickering lights and darks are all associated with the analytic cubism of Pablo Picasso and Georges Braque;
Toronto; Detroit Institute of Arts, 1970, no. 23, repro. 1971 The Cubist Epoch, Los

Johns has long been concerned with the visual and conceptual act of decoding. His various manners of painting and drawing, for example, frequently result in a congested accumulation of marks or signs, while his materials include encaustic (a thick, quick-drying wax medium that allows for a visible layering of brushstrokes) as well as objects that have been mounted on the canvas in the manner of assemblage and collage.
Something Resembling Truth’, Royal Academy of Arts, London; The Broad Museum, Los

Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los

Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles