Dein Suchergebnis zum Thema: Los Angeles

Museum of Western and Eastern Art, 1979 (organized by the Armand Hammer Foundation, Los

In her youth, Georgia O’Keeffe had been particularly fascinated by the jack-in-the-pulpit. In 1930, she executed a series of six paintings of the common North American herbaceous flowering plant at Lake George in New York.
Institute of Chicago; Dallas Museum of Art; The Metropolitan Museum of Art, New York; Los

Between 1877 and 1878, Gustave Caillebotte made a series of paintings focusing on swimmers, fishermen, rowers, and canoers at his family estate in Yerres. In Skiffs , which was exhibited at the fourth impressionist exhibition in 1879 under the name Pésissoires sur L’Yerres (Flat-Bottom Canoes on the Yerres) , he adopted the short, broken brushstrokes of Monet and the bold palette of Renoir, but achieved a much different effect:
Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles

Wildenstein’s (Duveen Brothers Records, accession number 960015, Getty Research Institute, Los

The first exhibition to consider photography’s impact on a cultural and aesthetic movement that celebrated Black history, identity, and beauty.
Paul Getty Museum, Los Angeles, February 24–June 14, 2026 Mississippi Museum of

Bazille spent a month working in Aigues-Mortes, a fortified medieval town in Southern France. This painting, one of three he produced there, is awash in color.
Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles

1999 Around Impressionism: French Paintings from the National Gallery of Art, Los

Childe Hassam was a regular visitor to the Isles of Shoals, nine small, rocky, treeless islands off the New Hampshire coast. His acquaintance with the islands was due to his poet friend Celia Thaxter, whose house on Appledore Island was a summer mecca for writers, painters, illustrators, musicians, and other artistic visitors.
.; Los Angeles Cnty.

With this terra-cotta statue, slightly under life-size, we encounter figures that demonstrate the beginnings of the Italian Renaissance admiration for the human body. Earlier statues in the collection, like the Pisan Annunciation pair, The Archangel Gabriel and The Virgin Annunciate, present the figure as a relatively simple and static form, with drapery arranged in graceful, decorative patterns that tell little about the body it covers.
(Duveen Brothers Records, accession number 960015, Getty Research Institute, Los

.; Los Angeles County Museum of Art, 1998-1999, not in catalogue (shown only in Washington