Dein Suchergebnis zum Thema: Los Angeles

Discover works by Paul Gauguin and learn about the artist
Berkeley and Los Angeles, 2007. 1903 Gauguin, Paul. Avant et après. 1903.

The engravings of Andrea Mantegna were the most influential prints produced in 15th-century Italy. Motifs from his creations appear in works by every major early Italian printmaker, and it was through Mantegna’s prints that Albrecht Dürer made his first acquaintance with the southern Renaissance.
Paul Getty Museum, Los Angeles; Royal Academy of Arts, London, 2018-2019.

Ludolf Backhuysen, whose name appears in the literature in a number of different forms (for example, Bakhuysen, Backhuisen, and Bakhuizen), was born in the German town of Emden on December 18, 1631. He was the son of a scribe, Gerhard Backhaus, and initially followed in his father’s footsteps, working as a clerk in the government offices at Emden.
Minneapolis Institute of Arts; Toledo (Ohio) Museum of Art; Los Angeles County Museum

Pisanello, who was a painter as well as a medalist, is generally credited with having invented the Renaissance medal form, as well as having brought it to its highest potential. He made several medals of the Marquess of Ferrara, this one being for the occasion of Leonello’s marriage to Maria of Aragon in 1444.
Records, accession number 960015, Research Library, The Getty Research Institute, Los

Bazille spent a month working in Aigues-Mortes, a fortified medieval town in Southern France. This painting, one of three he produced there, is awash in color.
Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles

1999 Around Impressionism: French Paintings from the National Gallery of Art, Los

Childe Hassam was a regular visitor to the Isles of Shoals, nine small, rocky, treeless islands off the New Hampshire coast. His acquaintance with the islands was due to his poet friend Celia Thaxter, whose house on Appledore Island was a summer mecca for writers, painters, illustrators, musicians, and other artistic visitors.
.; Los Angeles Cnty.

With this terra-cotta statue, slightly under life-size, we encounter figures that demonstrate the beginnings of the Italian Renaissance admiration for the human body. Earlier statues in the collection, like the Pisan Annunciation pair, The Archangel Gabriel and The Virgin Annunciate, present the figure as a relatively simple and static form, with drapery arranged in graceful, decorative patterns that tell little about the body it covers.
(Duveen Brothers Records, accession number 960015, Getty Research Institute, Los

.; Los Angeles County Museum of Art, 1998-1999, not in catalogue (shown only in Washington

[3] Duveen Brothers Records, Getty Research Institute, Los Angeles, box 244, reel