Rendezvous in the Forest by Henri Rousseau https://www.nga.gov/artworks/53138-rendezvous-forest
Vanguard Art, National Gallery of Art, Washington; High Museum of Art, Atlanta; Los
Vanguard Art, National Gallery of Art, Washington; High Museum of Art, Atlanta; Los
Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles
Records, accession number 960015, Research Library, The Getty Research Institute, Los
Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles
Daumier: Exhibition of Prints, Drawings, Watercolors, Paintings, and Sculpture, Los
Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los
The composition of this Virgin and Child is loosely based on the Hodegetria , one of the more powerful and enduring icon types of the Orthodox Christian church. The Virgin gestures toward the child to show him as the “way� ( hodos in Greek), the source of salvation.
Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los
Hip-hop artist Jasiri X looks at Kerry James Marshall’s woodcut almost like he’s looking into a mirror. It captures the experience of a Black man: resilient but restrained from being his authentic self. Jasiri responds to the work through two songs that reflect on his internal struggle.
His family moves to California, to Los Angeles, in 1963, when he’s eight years
Giotto ’s explorations and innovations in art during the early 14th century developed, a full century later, into the Italian Renaissance. Besides making panel paintings, he executed many fresco cycles—the most famous at the Arena Chapel, Padua—and he also worked as an architect and sculptor.
Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los
Rush Hour, New York is arguably the most important of Max Weber’s early modernist works that capture early 20th-century New York City’s ultramodern urban spirit. The painting achieves a remarkably vivid sense of the city’s frenetic pace through the artist’s adaptation of both the shallow, fragmented spaces of cubism and the rapid-fire, repeating forms of Italian futurism.
American Art, The Leicester Galleries, London, 1965, no. 91. 1970 The Cubist Epoch, Los