Dein Suchergebnis zum Thema: Los Angeles

Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles

Paul Getty Museum, Los Angeles) [fig3] and the Standard Bearer (Allentown Art Museum

One of the leading artists of the post–Johns/Rauschenberg generation, Terry Winters wields his brush with a knowledge and conviction that make periodic talk of the death of painting seem empty. Bitumen , 1986, is a work from the first decade of his career—when Winters was exploring such basic natural processes as crystal formation, fungal growth, and (as in this canvas) cellular division, and when he was equally immersed in the natural history of painting itself.
Washington, D.C., 1987. 1991 Terry Winters, The Museum of Contemporary Art, Los

Bellevue, Washington; The Bronx Museum of the Arts; California Afro-American Museum, Los

Painted in 1960, at the height of Milton Avery’s career, Mountain and Meadow is one of the artist’s finest late works. The initial inspiration to depict this scene occurred in the summer of 1955, when Avery and his family stayed at the Yaddo artists’ colony near Saratoga Springs, New York.
, West Palm Beach; UCLA at the Armand Hammer Museum of Art and Cultural Center, Los

Bellows executed Nude with Hexagonal Quilt at his studio in Woodstock, New York, in July 1924 at the age of forty-one. He had been an avid practitioner of life drawing since his early student days at the New York School of Art under the tutelage of 
Los Angeles County Museum of Art; Whitney Museum of American Art, New York; Columbus

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los

A striking young woman—with loose, untied hair and sleeves and a richly jeweled but informal gown—returns the viewer’s gaze. In her time, a viewer would have seen her as being in a state of semiundress.
Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los

Berkeley and Los Angeles, 1969: 117. 1970 Lane, Barbara G.

Painted in October 1909, the remarkably expressive and dynamic Both Members of This Club is the third and largest of George Bellows’s early prizefighting subjects. The painting’s title is a reference to the practice in private athletic clubs of introducing the contestants to the audience as “both members� to circumvent the Lewis Law of 1900 that had banned public boxing matches in New York State.
Los Angeles County Museum of Art; Whitney Museum of American Art, New York; Columbus