Figure of Inspiration at an Easel [reverse] by Felice Antonio Casone https://www.nga.gov/artworks/45170-figure-inspiration-easel-reverse
Records, accession number 960015, Research Library, The Getty Research Institute, Los
Records, accession number 960015, Research Library, The Getty Research Institute, Los
Los Angeles, 1993: 192. 2000 Rosenberg, Pierre.
A painting may provide a “window� into a different world. Here, the painting is itself a window, and it reveals a world dizzy with color and movement.
Expressionism in Germany and France: From Van Gogh to Kandinsky, Kunsthaus Zürich; Los
Homer developed a penchant for forceful realism early in his career. Following an apprenticeship in a Boston lithography shop, he supported himself as a freelance illustrator, creating a wide variety of popular images that subsequently were published as wood engravings in national periodicals like Harper’s Weekly .
1967, no cat. 1973 Winslow Homer, Whitney Museum of American Art, New York; Los
Records, accession number 960015, Special Collections, Getty Research Institute, Los
Retrospective, Museum of Modern Art, New York; Modern Art Museum of Fort Worth; Los
of Modern Art, New York, 1969, unnumbered catalogue. 1970 The Cubist Epoch, Los
Exh. cat., Hammer Museum, Los Angeles; National Gallery of Art, Washington, D.C.;
Wildenstein’s (Duveen Brothers Records, accession number 960015, Getty Research Institute, Los
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los