Smiling Margot Wearing a Ruffled Bonnet by Mary Cassatt https://www.nga.gov/artworks/74275-smiling-margot-wearing-ruffled-bonnet
(Parke-Bernet, New York, February 14, 1980, no. 762); Armand Hammer Collection, Los
(Parke-Bernet, New York, February 14, 1980, no. 762); Armand Hammer Collection, Los
Fort Worth and Los Angeles, 1967: 29. 1978 Heyman, Therese Thau, and The Oakland
1846-1986, accession number 900239, Research Library, Getty Research Institute, Los
Heade offered viewers an intimate glimpse into the exotic recesses of nature’s secret garden. Lichen covers dead branches;
.; Los Angeles County Museum of Art, 1999-2000, no. 57, repro. 2009 Endless Forms
Bernheim-Jeune, Paris, 1919, no. 61, as Les Deux soeurs. 1976 Women Artists: 1550-1950, Los
Richards‘ early work as a landscape painter was strongly influenced by the paintings of the Hudson River School, which was at that time in its most active and creative phase. These works followed the school’s well-established formulas for depicting expanses of rural and wild scenery in a romanticized and stylized manner.
Galleries, New York, 19-21 January 1897, 1st day, no. 129). private collection, Los
Kay Rosen’s SORRY outside the East Building and Avish Khebrehzadeh’s Tree of Life in Blue and Seven Silent Songs remain on view through December 2021. Sarah Cain’s installation My favorite season is the fall of the patriarchy is no longer on view.
Sarah Cain Sarah Cain in her Los Angeles studio with My favorite season is the fall
The three cargo ships in this large painting are the type of wide-bellied, seagoing vessels used to transport much of the commodities that generated the wealth of the Dutch in the seventeenth century. Flying the red, white, and blue flag of the Dutch Republic, these floating symbols of national prosperity are nevertheless in peril of crashing on the rocky shore.
Seventeenth Century, The Minneapolis Institute of Arts; The Toledo Museum of Art; Los
, D.C., 1932. 1947 Loan Exhibition of Paintings by Frans Hals and Rembrandt, Los
France; (Parke-Bernet, New York, Feb. 14, 1980, no. 758); Armand Hammer Collection, Los