Dein Suchergebnis zum Thema: Los Angeles

through (Malborough-Gerson Gallery, New York) by Lucille Ellis Simon [1911-2000], Los

Richards‘ early work as a landscape painter was strongly influenced by the paintings of the Hudson River School, which was at that time in its most active and creative phase. These works followed the school’s well-established formulas for depicting expanses of rural and wild scenery in a romanticized and stylized manner.
Galleries, New York, 19-21 January 1897, 1st day, no. 129). private collection, Los

Kay Rosen’s SORRY outside the East Building and Avish Khebrehzadeh’s Tree of Life in Blue and Seven Silent Songs remain on view through December 2021. Sarah Cain’s installation My favorite season is the fall of the patriarchy is no longer on view.
Sarah Cain Sarah Cain in her Los Angeles studio with My favorite season is the fall

Completed in February 1911, New York is a large, ambitious painting in which George Bellows captures the essence of modern life in New York City. Although the viewer looks uptown toward Madison Square from the intersection of Broadway and 23rd Street, Bellows did not intend to represent a specific, identifiable place in the city.
Fine Arts, Panama-California Exposition, San Diego, 1915, no. 47, repro. 1916 "Los

In her youth, Georgia O’Keeffe had been particularly fascinated by the jack-in-the-pulpit. In 1930, she executed a series of six paintings of the common North American herbaceous flowering plant at Lake George in New York.
Institute of Chicago; Dallas Museum of Art; The Metropolitan Museum of Art, New York; Los

Waiting for Dad. 1973 Winslow Homer, Whitney Museum of American Art, New York; Los

Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los

The three cargo ships in this large painting are the type of wide-bellied, seagoing vessels used to transport much of the commodities that generated the wealth of the Dutch in the seventeenth century. Flying the red, white, and blue flag of the Dutch Republic, these floating symbols of national prosperity are nevertheless in peril of crashing on the rocky shore.
Seventeenth Century, The Minneapolis Institute of Arts; The Toledo Museum of Art; Los

NY, April 10 – May 10, 2014 2020 Robert Longo: Storm of Hope, Jeffrey Deitch, Los

Museum, Amsterdam; Whitney Museum of American Art, New York; Lannan Foundation, Los