Peter and John Healing the Cripple at the Gate of the Temple by Rembrandt van Rijn https://www.nga.gov/artworks/9947-peter-and-john-healing-cripple-gate-temple
, D.C., 1932. 1947 Loan Exhibition of Paintings by Frans Hals and Rembrandt, Los
, D.C., 1932. 1947 Loan Exhibition of Paintings by Frans Hals and Rembrandt, Los
Museum, Amsterdam; Whitney Museum of American Art, New York; Lannan Foundation, Los
Fort Worth and Los Angeles, 1967: 61. 1982 Hoffman, Michael E., ed.
Fort Worth and Los Angeles, 1967: 53. 1978 Meltzer, Milton.
In contrast to the man with whom she shares this outdoor scene, the female figure is incongruously naked. Her features seem generalized.
Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los
Adriaen de Vries won international fame for active bronze figures that reflect both his study of nature and his training in Florence with Giovanni Bologna, the greatest 16th-century sculptor after Michelangelo. De Vries’s complicated poses continued the style known as mannerism, but he also saw ancient bronze sculpture as a model to surpass.
Paul Getty Mus., Los Angeles, 1998-2000, no. 24, repro., as Allegory of Imperium
(Thomas Colville, New Haven); purchased 1979 by Jo Ann and Julian Ganz, Jr., Los
Knoedler and Co., New York, 05/03/1973–06/03/1973 Los Angeles County Museum of
Completed in February 1911, New York is a large, ambitious painting in which George Bellows captures the essence of modern life in New York City. Although the viewer looks uptown toward Madison Square from the intersection of Broadway and 23rd Street, Bellows did not intend to represent a specific, identifiable place in the city.
Fine Arts, Panama-California Exposition, San Diego, 1915, no. 47, repro. 1916 "Los
Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los