Girl in a Boat with Geese by Berthe Morisot https://www.nga.gov/artworks/52194-girl-boat-geese
Sisley, Grafton Galleries, London, 1905, no. 169. 1976 Women Artists: 1550-1950, Los
Dein Suchergebnis zum Thema: Los Angeles
Painting (La peinture) [obverse] by Alexandre Charpentier https://www.nga.gov/artworks/131277-painting-la-peinture-obverse
History 2009 The Darker Side of Light: Arts of Privacy, 1850-1900, Hammer Museum, Los
Profiterole by Claes Oldenburg, Michael Cascadden, Richard Garst, Stephen Glassman, Gemini G.E.L. https://www.nga.gov/artworks/89606-profiterole
Los Angeles, California: Gemini G.E.L., unpublished, no. 1457. 2011 Ritchie, Charles
A Caricature and Five Forms; A Man in Profile, a Winged Creature and a Boy [verso] by Paul Gauguin https://www.nga.gov/artworks/74238-caricature-and-five-forms-man-profile-winged-creature-and-boy-verso
purchased before World War I; Private Collection, USA; Armand Hammer Collection, Los
Peru, page 30 by Robert Frank https://www.nga.gov/artworks/144329-peru-page-30
Museum, Amsterdam; Whitney Museum of American Art, New York; Lannan Foundation, Los
Theophrastus Garden 2 by Terry Winters https://www.nga.gov/artworks/175332-theophrastus-garden-2
Gallery of Art Exhibition History 1991 Terry Winters, Museum of Contemporary Art, Los
Profiterole by Claes Oldenburg, Michael Cascadden, Richard Garst, Stephen Glassman, Gemini G.E.L. https://www.nga.gov/artworks/89953-profiterole
Los Angeles, California: Gemini G.E.L., unpublished, no. 1457. 2011 Ritchie, Charles
The Darker Side of Light | National Gallery of Art https://www.nga.gov/exhibitions/darker-side-light
Other Venues: Armand Hammer Museum of Art and Cultural Center, Los Angeles, 04/
Hunter with Dog by Roy Lichtenstein https://www.nga.gov/artworks/76360-hunter-dog
.; Los Angeles County Museum of Art, California; Dallas Museum of Art, Texas; Parrish
Lady with a Harp: Eliza Ridgely by Thomas Sully https://www.nga.gov/artworks/32577-lady-harp-eliza-ridgely
When Thomas Sully painted fifteen-year-old Eliza Ridgely in the spring of 1818, he was widely regarded as America’s leading artist. Particularly noted for his graceful images of women, he was a natural choice to paint this Baltimore merchant’s daughter.
1955, no. 32, repro. 1981 American Portraiture in the Grand Manner: 1720-1920, Los