Dein Suchergebnis zum Thema: Los Angeles

Painted in August 1907, Forty-two Kids depicts a band of nude and partially clothed boys engaged in a variety of antics—swimming, diving, sunbathing, smoking, and possibly urinating—on and near a dilapidated wharf jutting out over New York City’s East River. A sharp observer of urban life, George Bellows has sketched his streetwise subjects with characteristic vigor and economy of means, and he has carefully rendered their varied ethnic backgrounds.
Los Angeles Times (15 August 1926): C:35. Lucas, E. V.

Seldis and Peter Selz, Rico Lebrun (1900–1964) (Los Angeles, 1967), 13.

Completed in 1914, The Aero may have been the painting that Marsden Hartley described in a letter to his dealer, Alfred Stieglitz, the previous year: “I have one canvas ‘Extase d’Aéroplane’ if it must have a title—it is my notion of the possible ecstasy or soul state of an aéroplane if it could have one.� The artist was thrilled when he saw zeppelins, or huge airships, flying overhead.
Marsden Hartley: The German Paintings 1913-1915, Neue Nationalgalerie, Berlin; Los

Charles Sheeler was a master of both painting and photography, and his work in one medium influenced and shaped his work in the other.[1] In 1927, he was commissioned to photograph the Ford Motor Company’s new River Rouge Plant near Detroit. Then the world’s largest industrial complex, employing more than 75,000 workers, the plant produced Ford’s Model A, successor to the famed Model T.
UCLA Art Galleries, Los Angeles; M.H. de Young Memorial Museum, San Francisco; Fort

Discover works by George Inness and learn about the artist
Los Angeles, 1977. 1993 Cikovsky, Nicolai, Jr. George Inness.

2023.139.1 Artwork history & notes Artwork History Provenance The artist, Los

2019.170.15 Artwork history & notes Artwork History Provenance Norman Kulkin, Los

Artwork history & notes Artwork History Provenance Robert Cumming; David Knaus, Los

Broida [1933-2006], Los Angeles; gift (partial and promised) 2005 to NGA; gift completed

The strength and vitality of the people who helped establish the new Dutch Republic are nowhere better captured than in the work of Frans Hals, who was the preeminent portrait painter in Haarlem, the most important artistic center of Holland in the early part of the seventeenth century. This unidentified sitter—one of Hals’ most impressive portraits—was sixty years old when the painting was made, according to the artist’s inscription.
Paul Getty Trust, Los Angeles.