Paul Getty Museum, Los Angeles, William Suhr removed a varnish, inpainted , and
Connecticut;[4] (Hirschl & Adler Galleries, New York, 1978); Jo Ann and Julian Ganz, Jr., Los
Paul Getty Museum, Los Angeles; The Museum of Fine Arts, Houston, 2011-2012, no.
2014–2015 Alisa Alexander, University of California, Santa Barbara Jenevieve De Los
Nelson is professor emeritus at the University of California, Los Angeles, where
Paul Getty Museum, Los Angeles, 1998-1999, no. 30a, repro.
Charles Sheeler was a master of both painting and photography, and his work in one medium influenced and shaped his work in the other.[1] In 1927, he was commissioned to photograph the Ford Motor Company’s new River Rouge Plant near Detroit. Then the world’s largest industrial complex, employing more than 75,000 workers, the plant produced Ford’s Model A, successor to the famed Model T.
UCLA Art Galleries, Los Angeles; M.H. de Young Memorial Museum, San Francisco; Fort
Painted in August 1907, Forty-two Kids depicts a band of nude and partially clothed boys engaged in a variety of antics—swimming, diving, sunbathing, smoking, and possibly urinating—on and near a dilapidated wharf jutting out over New York City’s East River. A sharp observer of urban life, George Bellows has sketched his streetwise subjects with characteristic vigor and economy of means, and he has carefully rendered their varied ethnic backgrounds.
Los Angeles Times (15 August 1926): C:35. Lucas, E. V.
Seldis and Peter Selz, Rico Lebrun (1900–1964) (Los Angeles, 1967), 13.
2024.147.25 Artwork history & notes Artwork History Provenance Toby Mitchel Prints, Los
