Dein Suchergebnis zum Thema: Los Angeles

Angeles County Museum of Art [fig2].

Much like Edith Johnson’s 1929 classic song “Good Chib Blues,� Romare Bearden’s intricate collage tells a story through repetition and rhythm. Here, clippings in shades of green, blue, tan, and brown create a powerful composition based on the artist’s childhood memories of rural North Carolina.
Histories, The Museum of Fine Arts, Houston; National Gallery of Art, Washington, DC; Los

Other Venues: Los Angeles County Museum of Art, 09/17/2023–01/21/2024 National

Parke-Bernet Galleries, New York, 16 March 1944, no. 65); (Dalzell Hatfield Galleries, Los

In One Year the Milkweed , one of several so-called color veil paintings Gorky made in 1944, films of paint have been washed unevenly across the canvas, and evocative but indistinct forms have been brushed in. Overall green and brown hues suggest a landscape, but there are no identifiable landscape forms and no spatial recession.
. 1968 Dada, Surrealism, and Their Heritage, Museum of Modern Art, New York; Los

George Bellows’s paintings devoted to boxing were among the most popular pictures he produced during his lifetime and remain so today. Executed in August and September 1907, Club Night is the first of three similar boxing subjects that Bellows painted early in his career, from 1907 to 1909.
Angeles, 1915, possibly no. 16. 1925 Commemorative Exhibition by Members of the

2014–2015 Alisa Alexander, University of California, Santa Barbara Jenevieve De Los

The self-taught artist Horace Pippin turned to art after his right arm was disabled by a sniper’s bullet while serving in the African American regiment known as the “Harlem Hellfighters� during World War I. After the war, Pippin settled in his hometown of West Chester, Pennsylvania, and by the late 1930s his work had attracted the interest of such notables as the artist N.
Vanguard Art, National Gallery of Art, Washington; High Museum of Art, Atlanta; Los

Guggenheim Museum, New York; Dallas Museum of Fine Arts; Los Angeles County Museum

As the oldest son of Charles Willson Peale, Raphaelle Peale was the first in a dynasty of painters and botanists burdened by the names of famous artists and scientists that their father admired. In the first history of American art, published nine years after Raphaelle Peale’s death and one of the very few notices taken of him, William Dunlap wrote that Peale, like his father, was „a painter of portraits in oil and miniature, but excelled more in compositions of still life.
Arnold, Minneapolis; her nephew and his wife; purchased 1975 by (Terry Delapp, Los