Immaterial: Paper – The Metropolitan Museum of Art https://www.metmuseum.org/perspectives/immaterial-paper
Get a handle on palm-sized ephemera in The Met collection.
She grew up in Los Angeles and knew that visiting her mom’s family in Bangladesh
Get a handle on palm-sized ephemera in The Met collection.
She grew up in Los Angeles and knew that visiting her mom’s family in Bangladesh
One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
Los Angeles, 1998, pp. 30, 39–40 n. 28, dates it about 1513–14. Carolyn C.
Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
Los Angeles. J. Paul Getty Museum.
Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
Los Angeles. J. Paul Getty Museum.
Recent acquisitions and highlights in The Costume Institute Library.
Frutas magazine is an unapologetic celebration of Los Angeles’s vibrant and diverse
Attribution, Date, and Bruegel’s Working Methods: When The Met acquired The Harvesters in 1919, the extraordinarily low sale price in part had to do with the art market that had virtually collapsed during World War I
Paul Getty Museum, Los Angeles, Los Angeles-London 2003–4, pp. 492–94. [3] For
The Painting: This very unusual mixed-media picture shows a rehearsal for a ballet. The view is from a slightly elevated point above the orchestra pit; the scrolls of two double basses are just visible in the foreground, radically cropped at the bottom of the canvas
Los Angeles County Museum.
Los Angeles, 2006, pp. 1, 17 n. 9. Christopher Lloyd in Katherine Rothkopf.
Los Angeles Times (February 8, 1987), p. 5, calls it "Autumn Rhythm".