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Jean Auguste Dominique Ingres – Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/459106

Although the French neo-classical artist Jean Auguste Dominique Ingres often confessed reluctance to paint portraits, his many splendid paintings of French aristocrats and powerful personalities ultimately glorified his persona, and assured his social ascendancy in the royal circles of Louis-Philippe d’Orléans (r
Los Angeles, 2006, p. 61, color ill. p. 60. Michael Leyton.

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El Greco (Domenikos Theotokopoulos) – Portrait of an Old Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436574

For over a century scholars have considered whether or not this sympathetic portrait of an old man is a self-portrait by El Greco. Lafond (1906) described the seemingly Romantic notion as at best a plausible hypothesis, and a number of more recent scholars (for example, Wethey 1962) have rejected the idea, mainly on the basis of comparisons with presumed self-portraits inserted by El Greco into several of his major religious pictures (see also Christiansen 2003)
University of California at Los Angeles.

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