Dein Suchergebnis zum Thema: Los Angeles

Los Angeles, 2019, p. 131.

Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
Los Angeles, 2000, pp. 5, 27, fig. 2 (color), notes that the genre pictures painted

This painting, one of the key works of Ter Borch’s maturity, probably dates from about 1660–62. Though it was painted when the artist lived in Deventer, the luxurious interior and elegantly attired figures evoke the cosmopolitan milieu of Amsterdam
Los Angeles, 2024, p. 77, fig. 49 (color), notes that in this painting, with the

Los Angeles County Museum of Art.

This magnificent painting by the leading painter of King Louis XIV (1638–1715)—the artist who supervised the decoration of the Louvre and Versailles and headed the Gobelins manufactory for tapestries and furniture—is a landmark in the history of French portraiture
Paul Getty Museum, Los Angeles; 94.SB.11.1) This image cannot be enlarged, viewed

Signature: Lower left of image: PosadaInscription: Inscribed across top: Regalo de Calaveras … en prueba de puro amor; lower left: [verse relating to the subject of the print]; Along bottom of sheet: México
Los aguadores eran muy visibles en Ciudad de México y el intercambio tiene que ver

The magnificent volute-krater on loan from Ferrara.
“Spina,” in Etruscan Civilization, Los Angeles, 2000, p. 193-195.

Gericault’s lifelong interest in animal themes is best known through his love of horses. He had an intimate knowledge of horses, which he derived not only from drawing and painting them continually but also from developing his skills as an equestrian
, for example, by a sketchbook datable to about 1812–14, in the Getty Museum, Los

Although the French neo-classical artist Jean Auguste Dominique Ingres often confessed reluctance to paint portraits, his many splendid paintings of French aristocrats and powerful personalities ultimately glorified his persona, and assured his social ascendancy in the royal circles of Louis-Philippe d’Orléans (r
Los Angeles, 2006, p. 61, color ill. p. 60. Michael Leyton.

This exhibition celebrates the foresight underlying the establishment of the Michael C. Rockefeller Wing through some fifty works of art augmented by archival documents.
African, American Indian, Oceanic, and Precolumbian art from dealers in New York and Los