Found at Colle del Capitano near Monteleone di Spoleto by Isidoro Vannozzi on February 8, 1902 (Scientific American 1903, p. 385; Robinson 1906, p. 83). 1902, discovered by Isidoro Vannozzi; [purchased by Benedetto Petrangeli from I
Etruscan Civilization: A Cultural History. p. 168, fig. 149a, Los Angeles: J.
Gérôme specialized in a brand of photographic realism which, from the 1840s onward, distinguished him from the increasingly stale Neoclassical style promulgated by the followers of Jean Auguste Dominique Ingres
Paul Getty Museum, Los Angeles. Paris, 2010, p. 260, fig. 122 (color).
New School for Social Research, New York (1931–82; unveiled January 1, 1931; sold in May 1982 to Maurice Segoura Gallery); [Maurice Segoura Gallery, New York, 1982–84; sold on February 1, 1984 to Equitable Life]; The Equitable Life Assurance Society of the United States (now AXA), New York (1984–2012; their gift to MMA)
Illustrated Daily News (Los Angeles) (November 24, 1930), p. 17, ill.
Discover the rich history of printmaking in Mexico and the The Met’s collecting of these prints.
Piquete (Mexican, active 1870s), El pueblo merece malos gobernantes cuando los tolera
The Artist: Simon Vouet (see fig. 1 above) is one of a number of major artists, among whom are Jusepe de Ribera, Valentin de Boulogne, Gerrit van Honthorst, and Bartolomeo Manfredi, who worked in Rome in the immediate aftermath of Caravaggio’s death and absorbed his dramatic treatment of expressive lighting, startling naturalism, and psychologically penetrating approach to narrative subjects
own right who modeled for some of his paintings (for example, the Magdalen in the Los
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Los Angeles: A.I.C., 2009.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Knights—hailed as one of the ensembles paving “the future for classical music in America” (Los
This group of five ivory panels are the reassembled elements of a „composite casket,“ so called by scholars because the narrative scenes that adorn them are vignettes from a variety of popular stories and chivalric romances
Los Angeles: J. Paul Getty Museum, 2010. no. 55, pp. 281–83.
