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ÃŒgbèsànmwà (ivory- and wood- carving guild) artists – Pendant mask of ÃŒyá»�Ì�bà Idià – Edo – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/318622

Commissioned by Ẹsìgie (r. ca. 1517–50), Benin City; by descent to Òvá»�Ì�nránmwẹ̀ (r. 1889–97); removed from the Royal Palace by Sir Ralph Moor, 1897; Sir Ralph Moor and his wife, Adrienne Moor, London, 1897–1909; John Sparks, London, 1909; Prof
Los Angeles: Fowler Museum of Cultural History, 1992. Girshick Ben-Amos, Paula.

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Adam August Müller – The Hall of Antiquities at Charlottenborg Palace, Copenhagen – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/780292

The Artist: Müller aspired to be a history painter, that is, to specialize in a genre not generally associated with Danish Golden Age painting. His influential teacher, Christoffer Wilhelm Eckersberg (1783–1853), himself a pupil of Jacques Louis David, did produce history paintings, but these lack the simple grace and charm of his portraits, landscapes, and genre scenes
Los Angeles. J. Paul Getty Museum.

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Copy after Hugo van der Goes – The Adoration of the Magi – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436523

This composition, in which half-length figures of the three magi are viewed behind a fictive arcade, offering their gifts to the Christ Child—an event celebrated in the Church as the Feast of Epiphany (January 6)—conforms to the rising popularity in the Netherlands for close-up devotional paintings that put the viewer in a direct relationship with the event depicted
discusses our picture in relation to an Adoration by Mantegna [now Getty Museum, Los

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Cubiculum (bedroom) from the Villa of P. Fannius Synistor at Boscoreale – Roman – Late Republic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/247017

Excavated at the Villa of P. Fannius Synistor, Boscoreale, about a mile from Pompeii (Cavenaghi 1901, p. 5; Barnabei 1901, pp. 71-81). 1899-1900, frescoes excavated by Vincenzo de Prisco; [until 1903, with Cesare and Ercole Canessa, Naples and Paris]; acquired in 1903, purchased from C
Roman Art. pp. 24–26, fig. 16a, b, Los Angeles: J. Paul Getty Museum.

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