Georges de La Tour’s Fortune Teller is one of the painter’s early masterpieces. It has been variously dated between 1620 and 1639, and it is most likely from the 1630s. The canvas is signed at top right: G
Angeles County Museum of Art.
Said to be from Keros (Getz-Preziosi et al. 1987, pp. 178-179, no. 39) From 1968/69, Woodner Family Collection, New York; [until 1991, with Robin Symes, London]; 1991, acquired by Leonard Stern, purchased from Robin Symes; 1991 -2022, collection of Mr
  Searching for the Lost Pieces of a Puzzle. no. 170, p.181–82, Athens and Los
Control of the natural world, as expressed by fierce animals, was a key aspect of the iconography of kingship.
Los Angeles: Costen Institute, 2006.
The Jefferson R. Burdick Collection constitutes a primary part of the Museum’s collection of ephemera, and helps tell the history of popular printmaking in the United States.
series (D290) issued by Wonder Bread Wonder Bread 1950s Sandy Koufax, Pitcher, Los
Across the regions of the empire, gladiators and their preparation for fights were depicted through various media, including terracotta oil lamps, figurines, glass vessels, pottery, and relief sculpture.
Los Angeles: J. Paul Getty Museum, 2003. Lightfoot, Christopher S.
Said to be from Olympia (Mertens 1985, p. 19). [Until 1906, art market, Paris]; 1906-1913, collection of J. Pierpont Morgan, New York; 1913-1917, estate of J.P. Morgan; acquired in December 1917, gift of J
Daehner, Kenneth Lapatin, and Ambra Spinelli, eds. pp. 116–17, figs. 14.1–.2, Los
Los Angeles. UCLA Art Galleries.
In pencil lower right of sheet (probably autograph) ‚Angel Bracho‘
El manifiesto comienza con un homenaje a los «soldados de la revolución», cuyo
Since the acquisition of exotic creatures was very expensive, they would often be sent to menageries or zoological gardens around Rome to be tamed and trained for public entertainment before they reached the games, where death was inevitable.
Los Angeles: Getty Museum, 2001. Grant, Michael. Gladiators. Rev. ed.
Tile This image of a soaring phoenix with crested head and elaborate plumage, surrounded by swirling clouds, is a striking example of the adaptation of Chinese imagery by Persian artists
Los Angeles County Museum of Art.
