Control of the natural world, as expressed by fierce animals, was a key aspect of the iconography of kingship.
Los Angeles: Costen Institute, 2006.
The Jefferson R. Burdick Collection constitutes a primary part of the Museum’s collection of ephemera, and helps tell the history of popular printmaking in the United States.
series (D290) issued by Wonder Bread Wonder Bread 1950s Sandy Koufax, Pitcher, Los
Across the regions of the empire, gladiators and their preparation for fights were depicted through various media, including terracotta oil lamps, figurines, glass vessels, pottery, and relief sculpture.
Los Angeles: J. Paul Getty Museum, 2003. Lightfoot, Christopher S.
Said to be from Keros (Getz-Preziosi et al. 1987, pp. 178-179, no. 39) From 1968/69, Woodner Family Collection, New York; [until 1991, with Robin Symes, London]; 1991, acquired by Leonard Stern, purchased from Robin Symes; 1991 -2022, collection of Mr
  Searching for the Lost Pieces of a Puzzle. no. 170, p.181–82, Athens and Los
Said to be from Olympia (Mertens 1985, p. 19). [Until 1906, art market, Paris]; 1906-1913, collection of J. Pierpont Morgan, New York; 1913-1917, estate of J.P. Morgan; acquired in December 1917, gift of J
Daehner, Kenneth Lapatin, and Ambra Spinelli, eds. pp. 116–17, figs. 14.1–.2, Los
Los Angeles. UCLA Art Galleries.
Georges de La Tour’s Fortune Teller is one of the painter’s early masterpieces. It has been variously dated between 1620 and 1639, and it is most likely from the 1630s. The canvas is signed at top right: G
Angeles County Museum of Art.
In pencil lower right of sheet (probably autograph) ‚Angel Bracho‘
El manifiesto comienza con un homenaje a los «soldados de la revolución», cuyo
Said to have been found on Rhodes (Richter 1943-44, p. 122). [1930, purchased by Joseph Brummer in Paris from Edouard Geladakis, Michel Petridi, and Ugo Jandolo]; [1930-1943, with Joseph Brummer, New York (P7108)]; acquired in 1943, purchased from Joseph Brummer
Bronze Sculpture of the Hellenistic World cat. 20, pp. 55, 228–9, Titlepage, Los
1960, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1960, as a result of its financial contribution to the excavations
Los Angeles: Center for Afro-American Studies, University of California, pl. 25.
