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This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Paul Getty Museum, Los Angeles). Janet Cox-Rearick.

This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Paul Getty Museum, Los Angeles). Janet Cox-Rearick.

Exh. cat., Los Angeles County Museum of Art.

Los Angeles County Museum of Art.

Remembering Richard E. Stone, Conservator Emeritus in the Department of Objects Conservation.
Los Angeles: ICOM Committee for Conservation, 1990, Vol.

The head of this statue was purchased in 1925 from Elias S. David, London, by Joseph Brummer (Brummer inv. no. P2050). The Metropolitan Museum of Art purchased it from the estate of Joseph Brummer in 1947 (47
Los Angeles: The J. Paul Getty Museum, p. 63, fig. 62.

R.I. (1978–2015; sold in 2015, through Alexandre Gallery, New York, to MMA) Los

Beads (1980.456, .457) and pendant (30.95.37)Among the luxury arts that flourished under the Fatimid caliphs, gold jewelry stands out for its innovation and complexity. According to literary sources, prodigious amounts of such jewelry were manufactured for both royal and patrician patrons; most of these items were later melted down for currency or refashioned into newer pieces
Berkeley and Los Angeles, 1983, pp. 150-226. 6. Evans and Wixom 1997, p. 421.

Inscription: At upper right, inscribed „nota quod color pullus non est / peculiaris Sinensium litteratis sed / Patribus S Iesù exceptis tamen fascijs / ceruleis quae [„omnibus“ deleted] ceteris [que] communes sunt / Sinenses porro vestis colore non uno / sed quovis promiscue utantur
Paul Getty Museum, Los Angeles.

Power and Pathos: Bronze Sculpture of the Hellenistic World no. 35, pp. 260–61, Los