Dein Suchergebnis zum Thema: Los Angeles
The Attarouthi Treasure – Chalice – Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/466129
Los Angeles: Conservation Science Press, 2011. p. 41.
The Attarouthi Treasure – Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/474390
Los Angeles: Conservation Science Press, 2011. p. 41.
Dress ornament – Scythian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/328961
Until 1924, collection of Alexandre Merle de Massonneau, who acquired material from the Caucasus area of south Russia and Crimea in the late nineteenth and early twentieth centuries (Leskov 2008, p. 1); acquired by the Museum in 1924, purchased from the Massonneau collection in Paris by John Marshall, The Metropolitan Museum of Art’s agent in Europe
.-100 B.C.� The Metropolitan Museum of Art, New York, Los Angeles County Museum
Adélaïde Labille-Guiard (1749–1803) – The Metropolitan Museum of Art https://www.metmuseum.org/essays/adelaide-labille-guiard-1749-1803
[Labille-Guiard] was versed in a variety of artists’ materials, had exhibited twice at the Salon de la Correspondance, was an experienced teacher of aspiring young women artists, and had cultivated a wide acquaintance among academicians…
Los Angeles: J. Paul Getty Museum, 2009. Passez, Anne-Marie.
Gilbert & George – Here – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/485757
Inscription: Signed, dated, and inscribed (lower center (ff), in cream opaque matte paint and photograph): HERE/ 1987 / Gilbert & GeorgeInscribed and dated (versos, upper left, in black porous point pen):a: GILBERT & GEORGE / HERE 1987 / 1/35b: GILBERT & GEORGE / HERE 1987 / 2/35c: GILBERT & GEORGE / HERE 1987 / 3/35d: GILBERT & GEORGE / HERE 1987 / 4/35e: GILBERT & GEORGE / HERE 1987 / 5/35f: GILBERT & GEORGE / HERE 1987 / 6/35g: GILBERT & GEORGE / HERE 1987 / 7/35h: GILBERT & GEORGE / HERE 1987 / 8/35i: GILBERT & GEORGE / HERE 1987 / 9/35j: GILBERT & GEORGE / HERE 1987 / 10/35 ; (verso, lower right, in graphite): 30k: GILBERT & GEORGE / HERE 1987 / 11/16l: GILBERT & GEORGE / HERE 1987 / 12/35m: GILBERT & GEORGE / HERE 1987 / 13/35n: GILBERT & GEORGE / HERE 1987 / 14/35o: GILBERT & GEORGE / HERE 1987 / 15/35p: GILBERT & GEORGE / HERE 1987 / 16/35q: GILBERT & GEORGE / HERE 1987 / 17/35r: GILBERT & GEORGE / HERE 1987 / 18/35s: GILBERT & GEORGE / HERE 1987 / 19/35t: GILBERT & GEORGE / HERE 1987 / 20/35u: GILBERT & GEORGE / HERE 1987 / 21/35v: GILBERT & GEORGE / HERE 1987 / 22/35w: GILBERT & GEORGE / HERE 1987 / 23/35x: GILBERT & GEORGE / HERE 1987 / 24/35y: GILBERT & GEORGE / HERE 1987 / 25/35z: GILBERT & GEORGE / HERE 1987 / 26/35aa: GILBERT & GEORGE / HERE 1987 / 27/35bb: GILBERT & GEORGE / HERE 1987 / 28/35cc: GILBERT & GEORGE / HERE 1987 / 29/35dd: GILBERT & GEORGE / HERE 1987 / 30/35ee: GILBERT & GEORGE / HERE 1987 / 31/35ff: GILBERT & GEORGE / HERE 1987 / 32/35gg: GILBERT & GEORGE / HERE 1987 / 33/35hh: GILBERT & GEORGE / HERE 1987 / 34/35ii: GILBERT & GEORGE / HERE 1987 / 35/35
Kingdom From A.D. 1900–present Dark Shadow Gilbert & George 1976 Large Interior, Los
Edward J. Steichen – The Pond – Moonrise – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/267815
Los Angeles County Museum of Art.
Peter Paul Rubens – The Virgin Adored by Saints (recto); Study of the Torso Belvedere (verso) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/351064
Exh. cat., Los Angeles: Getty Museum. Anne T.
Gustave Le Gray (1820–1884) – The Metropolitan Museum of Art https://www.metmuseum.org/essays/gustave-le-gray-1820-1884
In the 1852 edition of his treatise, Le Gray wrote: “It is my deepest wish that photography, instead of falling within the domain of industry, of commerce, will be included among the arts.”
Los Angeles: Getty, 2002. Janis, Eugenia Parry.
Roman Portrait Sculpture: Republican through Constantinian – The Metropolitan Museum of Art https://www.metmuseum.org/essays/roman-portrait-sculpture-republican-through-constantinian
Roman portraiture is unique in comparison to that of other ancient cultures because of the quantity of surviving examples, as well as the complex and ever-evolving stylistic treatment of human features and character.
Los Angeles: Fisher Gallery, University of Southern California, 1990.