Dein Suchergebnis zum Thema: Los Angeles

Los Angeles: Conservation Science Press, 2011. p. 41.

Giovanni de Lutero, known as Dosso Dossi, painted this landscape with figures soon after becoming court artist to Duke Alfonso I d’Este of Ferrara, where the artist arrived by July 1513. The subject is generally given as the Three Ages of Man, analogous to Titian’s well-known painting of the subject (National Gallery of Scotland, Edinburgh), with „youth“ represented by the youngsters who watch the amorous couple, who in turn represent „maturity“, while the two men in the background symbolize „old age“
Los Angeles. J. Paul Getty Museum.

New York City, 1878–Cambridge, Mass., 1965
Los Angeles: Getty Research Institute, 2018. Mongan, Agnes.

Daehner, Kenneth Lapatin, and Ambra Spinelli, eds. p. 113, fig. 13.8, Los Angeles

Los Angeles, CA: UCLA Cotsen Institute of Archaeology Press, 2018.

Pierre Leven, Cologne (until 1853); his sale, J.M. Heberlé, Cologne, October 4, 1853, lot 137 (to Soltykov); Prince Alexei Soltykoff, Paris (1853–d. 1859); by descent to his brother, Prince Petr Soltykov, Paris (1859–61; his sale, Drouot, Paris, April 1961, lot 835,to Russel); Mr
Los Angeles, 2004. pp. 84–5, ill. pl. 5 (color). Wypyski, Mark.

Stolper Galleries, New York and Los Angeles, until 1960]; Nelson A.

Early Cyprus: Crossroads of the Mediterranean. pl. 76, Los Angeles, California: J

In the wake of Abstract Expressionism, a number of painters developed strategies that both extended the life of painting while simultaneously pointing to its inevitable demise.
photograph the subject on one of his road trips from Oklahoma City (his hometown) to Los

Inscription: Signed in ink on print, recto, bottom right: „UMBO“; inscribed in pencil on print, verso, top center: „Mysterium der Strasse“; bottom right: „JL#48“; inscribed in blue pencil on print, verso, top right: „347/75“
Los Angeles County Museum of Art.