Dein Suchergebnis zum Thema: Los Angeles

Inscription: Inscribed (in ink, in image, center): a) Letters from HomeInscribed (in pencil, along bottom of image):b) 2/20 Letter from home I Zarina 2004c) 2/20 Letter from home II Zarina 2004d) 2/20 Letter from home III Zarina 2004e) 2/20 Letter from home IV Zarina 2004f) 2/20 Letter from home VI Zarina 2004g) 2/20 Letter from home VI Zarina 2004h) 2/20 Letter from home VII Zarina 2004i) 2/20 Letter from home VIII Zarina 2004Inscribed (in ink, in image, center):j) Letter from Home / A Portfolio of eight woodcuts and text by Zarina / Woodcuts and text printed in an edition of twenty / with two artist proofs / on Kozo paper and mounted on Somerset / Urdu text was printed from metal cuts of / original letters / This project was produced at the artists studio in / New York City
Los Angeles, 2012, p. 178, ill. p. 75 (Edition 5/7). Shanay Jhaveri.

Los Angeles: Conservation Science Press, 2011. p. 41.

Werl, Germany, 1887—Münster, 1968
correspondence with Vassily Kandinsky is preserved at the Getty Research Center, Los

New York City, 1878–Cambridge, Mass., 1965
Los Angeles: Getty Research Institute, 2018. Mongan, Agnes.

Daehner, Kenneth Lapatin, and Ambra Spinelli, eds. p. 113, fig. 13.8, Los Angeles

Los Angeles, CA: UCLA Cotsen Institute of Archaeology Press, 2018.

Pierre Leven, Cologne (until 1853); his sale, J.M. Heberlé, Cologne, October 4, 1853, lot 137 (to Soltykov); Prince Alexei Soltykoff, Paris (1853–d. 1859); by descent to his brother, Prince Petr Soltykov, Paris (1859–61; his sale, Drouot, Paris, April 1961, lot 835,to Russel); Mr
Los Angeles, 2004. pp. 84–5, ill. pl. 5 (color). Wypyski, Mark.

Stolper Galleries, New York and Los Angeles, until 1960]; Nelson A.

Giovanni de Lutero, known as Dosso Dossi, painted this landscape with figures soon after becoming court artist to Duke Alfonso I d’Este of Ferrara, where the artist arrived by July 1513. The subject is generally given as the Three Ages of Man, analogous to Titian’s well-known painting of the subject (National Gallery of Scotland, Edinburgh), with „youth“ represented by the youngsters who watch the amorous couple, who in turn represent „maturity“, while the two men in the background symbolize „old age“
Los Angeles. J. Paul Getty Museum.

1967, excavated under the direction of David Stronach and John Hansman, representing the British Institute of Persian Studies and the Oriental Institute of the University of Chicago; acquired by the Museum in 1969, as a result of its financial contribution to the excavations
Los Angeles: Getty Publications, Getty Research Institute, pp. 189-90, fig. 4.