Dein Suchergebnis zum Thema: Los Angeles

Los Angeles, pp. 190–191, no. 91 (JA). Onstine, Suzanne 2005.

Early Cyprus: Crossroads of the Mediterranean. pl. 76, Los Angeles, California: J

In the wake of Abstract Expressionism, a number of painters developed strategies that both extended the life of painting while simultaneously pointing to its inevitable demise.
photograph the subject on one of his road trips from Oklahoma City (his hometown) to Los

Inscription: Signed in ink on print, recto, bottom right: „UMBO“; inscribed in pencil on print, verso, top center: „Mysterium der Strasse“; bottom right: „JL#48“; inscribed in blue pencil on print, verso, top right: „347/75“
Los Angeles County Museum of Art.

Los Angeles: UCLA Cotsen Institute of Archaeology Press, 2018. Jones, Julie.

Inscription: Inscribed (in ink, in image, center): a) Letters from HomeInscribed (in pencil, along bottom of image):b) 2/20 Letter from home I Zarina 2004c) 2/20 Letter from home II Zarina 2004d) 2/20 Letter from home III Zarina 2004e) 2/20 Letter from home IV Zarina 2004f) 2/20 Letter from home VI Zarina 2004g) 2/20 Letter from home VI Zarina 2004h) 2/20 Letter from home VII Zarina 2004i) 2/20 Letter from home VIII Zarina 2004Inscribed (in ink, in image, center):j) Letter from Home / A Portfolio of eight woodcuts and text by Zarina / Woodcuts and text printed in an edition of twenty / with two artist proofs / on Kozo paper and mounted on Somerset / Urdu text was printed from metal cuts of / original letters / This project was produced at the artists studio in / New York City
Los Angeles, 2012, p. 178, ill. p. 75 (Edition 5/7). Shanay Jhaveri.

Los Angeles: Conservation Science Press, 2011. p. 41.

Werl, Germany, 1887—Münster, 1968
correspondence with Vassily Kandinsky is preserved at the Getty Research Center, Los

Giovanni de Lutero, known as Dosso Dossi, painted this landscape with figures soon after becoming court artist to Duke Alfonso I d’Este of Ferrara, where the artist arrived by July 1513. The subject is generally given as the Three Ages of Man, analogous to Titian’s well-known painting of the subject (National Gallery of Scotland, Edinburgh), with „youth“ represented by the youngsters who watch the amorous couple, who in turn represent „maturity“, while the two men in the background symbolize „old age“
Los Angeles. J. Paul Getty Museum.

New York City, 1878–Cambridge, Mass., 1965
Los Angeles: Getty Research Institute, 2018. Mongan, Agnes.