While some 13,000 Etruscan texts exist, most of these are very short. Consequently, much of what we know about the Etruscans comes not from historical evidence, but from their art and the archaeological record.
Los Angeles: Getty Museum, 2000. Hornblower, Simon, and Antony Spawforth, eds.
Inscription: Recto inscribed toward the center of the upper border in pen and medium brown ink by Leonardo, script reading from right to left:ilramarro . fedele allomo vede[n]do quello adorme[n] / tato
Angeles: University of California Press, 1977), 1:402, no. 705A (verso) and 2:265
Eight different creatures inhabit the seven blocks of this enchanting carved archway. All but two come from the imagination, merging parts of different animals found in nature. Beginning at far left, we see a manticore, a fantastic creature with the head of a man, the body of a lion, and the tail of a scorpion
Los Angeles: J. Paul Getty Museum, 2019. pp. 178–79, fig. 61.
In March 2017 The Met partnered with Cultural Heritage Imaging to host a two-day symposium focused on Reflectance Transformation Imaging (RTI) and related techniques in computational photography, including photogrammetry and multiband imaging.
Yosi Pozeilov, Los Angeles County Museum of Art [Video: 5:55] The presentation
Los Angeles County Museum of Art.
Metropolitan Museum of Art. 1959. „Review of the Year 1958–1959.“ Bulletin of the Metropolitan Museum of Art, 18(2): p. 30.Bruneau, Philippe and Claude Vatin. 1964. „Une nouvelle mosaïque a Délos
"Une nouvelle mosaïque a Délos."
West Dean, Sussex, England, 1907‒San Remo, Italy, 1984
Between 1941 and 1945, James split his time between Los Angeles and Mexico City.
Los Angeles: UCLA Cotsen Institute of Archaeology Press, 2018.
GarcÃa, Rubén. “Puerto Nuevo y los orÃgenes de la tradición estilÃstico-religiosa
Learn more about the Museum’s senior leadership.
Paul Getty Museum, Los Angeles, where she was responsible for managing the Getty’s
