They broke new ground through their independent lifestyles and emphasis on career over marriage and motherhood.
Los Angeles: Los Angeles County Museum of Art, 1995. Hill, May Brawley.
In performance, Nō’s austere bare stage and the severe elegance of its powerful masks combine with the multiple layers of shimmering costume to give the actor an oversized sculptural presence as he moves with the music and chanting of the chorus.
Los Angeles: Los Angeles County Museum of Art, 2002.
Talismans that contain inscriptions with the names of prophets and religious heroes have the power to protect an individual from hardship and danger by acting as a conduit between the two.
Los Angeles: Los Angeles County Museum of Art; Washington, D.C.: Smithsonian Institution
The Portrait: The identities of the painter and sitter have long been debated, and while the painter remains uncertain, the noblewoman is now generally considered to be Isabella of Portugal (1397–1472), third wife of Philip the Good, Duke of Burgundy
Paul Getty Museum, Los Angeles) Fig. 3.
Los Angeles Times (May 16, 1965), p. 16, ill.
Los Angeles. David Zwirner.
Los Angeles: Fowler Museum of Cultural History, University of California, 1993.
Exquisite illustrated manuscripts, decorative arts, and architectural decoration created during the period of the Ilkhanid rule in the Iranian region.
The exhibition has been organized by The Metropolitan Museum of Art and the Los Angeles
Far from mere trade commodities, textiles were an essential aspect of Malagasy social and ethnic identity, and some types of cloth were imbued with supernatural powers.
Los Angeles: UCLA Fowler Museum of Cultural History, 2004.
Henan Province Abby Aldrich Rockefeller , New York (until 1942; donated to MMA) Los
