Headrest – Oromo peoples (?) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/314982
Los Angeles: Fowler Museum of Cultural History, University of California, 1993.
Los Angeles: Fowler Museum of Cultural History, University of California, 1993.
Breslau, Poland, 1889–New York, 1945
spanned almost a century through various iterations in Berlin, Paris, New York, and Los
Los Angeles, 2022, pp. 76, 132 n. 11. Corina E.
Inscription: Inscribed, signed, and dated (lower margin, in graphite):c) 24/25 Home Zarina 99d) 24/25 Threshold Zarina 99e) 24/25 Door Zarina 99f) 24/25 Entrance Zarina 99g) 24/25 Courtyard Zarina 99h) 24/25 Wall Zarina 99i) 24/25 Sky Zarina 99j) 24/25 Earth Zarina 99k) 24/25 Sun Zarina 99l) 24/25 Moon Zarina 99m) 24/25 Stars Zarina 99n) 24/25 Axis Zarina 99o) 24/25 Morning Zarina 99p) 24/25 Dawn Zarina 99q) 24/25 Dew Zarina 99r) 24/25 Afternoon Zarina 99s) 24/25 Stillness Zarina 99t) 24/25 Hot-Breeze Zarina 99u) 24/25 Evening Zarina 99v) 24/25 Shadows Zarina 99w) 24/25 Urdu text Zarina 99x) 24/25 Urdu text Zarina 99y) 24/25 Rain Zarina 99z) 24/25 Fragrance Zarina 99aa) 24/25 Urdu text Zarina 99bb) 24/25 Urdu text Zarina 99cc) 24/25 Urdu text Zarina 99dd) 24/25 Country Zarina 99ee) 24/25 Dust Zarina 99ff) 24/25 Language Zarina 99gg) 24/25 Journey Zarina 99hh) 24/25 Road Zarina 99ii) 24/25 Destination Zarina 99jj) 24/25 Distance Zarina 99kk) 24/25 Time Zarina 99ll) 24/25 Border Zarina 99On verso (in pencil, lower center):c) 1d) 2e) 3f) 4g) 5h) 6i) 7j) 8k) 9l) 10m) 11n) 12o) 13p) 14q) 15r) 16s) 17t) 18u)19v) 20w) 21 / Cloudsx) 22 / Dust-Stormy) 23z) 24 aa) 25 / Nightbb) 26 / Darknesscc) 27 / Despairdd) 28ee) 29ff) 30gg) 31hh) 32ii) 33jj) 34kk) 35ll) 36
Los Angeles, 2012, p. 163. [2] Allegra Pesenti, " Zarina: Paper Like Skin," Zarina
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Seeking a better life, the family immigrated to Los Angeles in 1922–23, where his
BottleThis bottle clearly illustrates the transitional phase of development between Late Antique and early Islamic period artifacts. Of all the crafts, glassmaking was perhaps the most conservative in terms of both artistic continuity over time and the transfer of skills and ideas from one generation to another
Los Angeles County Museum of Art.
(from 1958; his gift to Pierre Noël Matisse); [his son, Pierre Noël Matisse, Los
Los Angeles: Fowler Museum of Cultural History, University of California, Los Angeles
From thematic scholarly essays to immersive online features, explore the world of „Golden Kingdoms“ through this rich array of digital content.
Ideas podcast, the three curators of Golden Kingdoms walk through the exhibition’s Los
Goldap, Poland 1878—Siegsdorf, Germany, 1955
Berkeley and Los Angeles: University of California Press, 1995.