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Madonna and Child Enthroned with Four Saints and Eighteen Angels [middle panel] by Puccio di Simone, Allegretto Nuzi

https://www.nga.gov/artworks/7-madonna-and-child-enthroned-four-saints-and-eighteen-angels-middle-panel

The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. The partnership of the two artists here— Puccio painted the center and right-hand panel of this tryptych and Allegretto the left—is a bit unusual, since they were not based in the same city.
Huge commissions—like Duccio’s Maestà altarpiece in Siena’s cathedral (see link

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Isabella Brant by Sir Anthony van Dyck

https://www.nga.gov/artworks/54-isabella-brant

Isabella Brant was the first wife of the Antwerp master Peter Paul Rubens, whom she married shortly after his return from Italy in 1609. Just before Anthony van Dyck, one-time protégé and frequent collaborator of Rubens, left Antwerp in October 1621 for his own extended stay in Italy, he apparently presented this portrait to his mentor.
Minerva to an imaginary position behind Isabella’s right shoulder, reinforcing the link

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