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Maestà (Madonna and Child with Four Angels) by Master of Città di Castello

https://www.nga.gov/artworks/46176-maesta-madonna-and-child-four-angels

The Sienese artist who made this panel is named for the town—Città di Castello— where another of his paintings, bearing another image of the Virgin and Child in “majesty” ( maestà in Italian), remains today. The Maestà–especially in this tall format–was frequently commissioned for the meeting places of lay brotherhoods.
(The National Gallery of Art is fortunate to own two panels from the latter: link

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The Angel of the Annunciation by Simone Martini

https://www.nga.gov/artworks/357-angel-annunciation

This small, rich panel was originally the left side of a diptych, which, along with a right-hand panel depicting the Virgin Mary (now in the Hermitage in St. Petersburg), depicts one image of the Annunciation—the moment when the archangel Gabriel brings Mary the news that she will give birth to the Son of God.
Details of execution link the two works: the same punches were used to decorate the

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James Monroe by Gilbert Stuart

https://www.nga.gov/artworks/56915-james-monroe

Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century , pages 265-266, 268-270, and 277-279, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-18th-century.pdf
„Five Gilbert Stuart Portraits At The National Gallery of Art Link Charlottesville

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