Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century , pages 265-266, 268-270, and 273, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-18th-century.pdf
"Five Gilbert Stuart Portraits At The National Gallery of Art Link Charlottesville
Reinier Nooms, an Amsterdam painter and graphic artist also known as Reinier Zeeman (which means seaman), specialized in maritime subjects. His career coincided with the heyday of Dutch commercial and maritime power in the 17th century, and Amsterdam’s bustling harbor in the IJ estuary provided Nooms with much of his artistic inspiration.
This painting celebrates a powerful Amsterdam family and its link to an important
See how six artists envisioned the Bard’s plays, from “Romeo and Juliet� to “King Lear.�
Click the link to related scenes to read text from the Folger Shakespeare Library
Brush up on key and unexpected details about the modern artist, best known for his colorful abstract paintings.
That link has persisted to this day.
Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century , pages 265-266, 268-270, and 275-277, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-18th-century.pdf
"Five Gilbert Stuart Portraits At The National Gallery of Art Link Charlottesville
The leading portraitist of a new nation, Gilbert Stuart painted each of the first five US presidents from life. Trained in England and Ireland, the artist introduced a looser, brushy style to American portraits, painting figures that were both grand and lifelike.
"Five Gilbert Stuart Portraits At The National Gallery of Art Link Charlottesville
The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. This panel is part of a triptych painted by two artists:
Huge commissions—like Duccio’s Maestà altarpiece in Siena’s cathedral (see link
The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. This panel is part of a triptych painted by two artists:
Huge commissions—like Duccio’s Maestà altarpiece in Siena’s cathedral (see link
This early 20th century art movement sought to convey the intensity of modern life.
a group named Die Brücke (the Bridge), believing that their new approach could link
The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. This triptych was painted by two artists:
Huge commissions—like Duccio’s Maestà altarpiece in Siena’s cathedral (see link
