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Master of the Washington Coronation | National Gallery of Art

https://www.nga.gov/artists/38614-master-washington-coronation

Michelangelo Muraro first coined the conventional name for this artist in 1969 and gathered under it a group of paintings previously attributed in the main to Paolo Veneziano .[1] Muraro also conjectured that the anonymous master might be identifiable with Marco, brother of Paolo, who, according to a document of 1335, must have been a highly esteemed painter at this time, though none of his works have come down to us under his name. However, judging from his stylistic characteristics, the anonymous Master of the Washington Coronation must have belonged to a generation preceding that of Paolo and his brother.
Yet the existence of some link between the artistic formation of Paolo Veneziano

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Portrait of a Man (Possibly Peter Vogelsang Sr.) by American 19th Century

https://www.nga.gov/artworks/42425-portrait-man-possibly-peter-vogelsang-sr

The identity of this elegantly dressed man has long been a mystery — but the painting provides many clues. We can read the name of the steamship (New Philadelphia) and identify the landscape as the Hudson River Palisades in New Jersey or New York.
Newspaper references link Vogelsang to steamship companies based in New York during

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SONG OF SOLOMON 5:16 – BE BEEWORLD: BE B BOY B GIRL (after “Emperor Xuanzong and Yang Gueifei playing the same flute,� by Kitagawa Utamaro) by Rozeal. (formerly known as iona rozeal brown)

https://www.nga.gov/artworks/223186-song-solomon-516-be-beeworld-be-b-boy-b-girl-after-emperor-xuanzong-and-yang-gueifei-playing-same

The large-scale work was inspired by a Japanese woodblock print which the artist deftly treated with her signature combination of Asian and African American cross-cultural referents to race, class, and gender. Rozeal often points to her strong childhood memories of attending Chinese New Year celebrations in Washington, DC’s Chinatown and going to Kabuki theater performances at the Kennedy Center with her family.
incorporates various hip-hop references such as dreadlocks, coiled hair adorned with Cuban-link

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