Roger Brand | National Gallery of Art https://www.nga.gov/artists/48114-roger-brand
Discover works by Roger Brand and learn about the artist
Welz, Patrick Cosgrove, Justin Green, John Flaherty, Roger Brand, Bill Griffith, Link
Dein Suchergebnis zum Thema: Link
Jim Osborne | National Gallery of Art https://www.nga.gov/artists/48109-jim-osborne
Discover works by Jim Osborne and learn about the artist
Welz, Patrick Cosgrove, Justin Green, John Flaherty, Roger Brand, Bill Griffith, Link
Bill Griffith | National Gallery of Art https://www.nga.gov/artists/48121-bill-griffith
Discover works by Bill Griffith and learn about the artist
Welz, Patrick Cosgrove, Justin Green, John Flaherty, Roger Brand, Bill Griffith, Link
Master of the Washington Coronation | National Gallery of Art https://www.nga.gov/artists/38614-master-washington-coronation
Michelangelo Muraro first coined the conventional name for this artist in 1969 and gathered under it a group of paintings previously attributed in the main to Paolo Veneziano .[1] Muraro also conjectured that the anonymous master might be identifiable with Marco, brother of Paolo, who, according to a document of 1335, must have been a highly esteemed painter at this time, though none of his works have come down to us under his name. However, judging from his stylistic characteristics, the anonymous Master of the Washington Coronation must have belonged to a generation preceding that of Paolo and his brother.
Yet the existence of some link between the artistic formation of Paolo Veneziano
Justin Green | National Gallery of Art https://www.nga.gov/artists/48098-justin-green
Discover works by Justin Green and learn about the artist
Welz, Patrick Cosgrove, Justin Green, John Flaherty, Roger Brand, Bill Griffith, Link
The Art of Power: Royal Armor and Portraits from Imperial Spain, The Iconography of Power | National Gallery of Art https://www.nga.gov/stories/videos/art-power-royal-armor-and-portraits-imperial-spain-iconography-power
David Brown, Curator of Italian and Spanish paintings at the National Gallery of Art, describes this subtle advertising campaign waged by the Spanish throne to advance its goals and reputation as seen in the exhibition The Art of Power: Royal Armor and Portraits from Imperial Spain, The Iconography of Power.
portraits, and tapestries, something quite different is also revealed: an attempt to link
Between the Lines: Philip Guston and “Bad Painting” | National Gallery of Art https://www.nga.gov/stories/videos/between-lines-philip-guston-and-bad-painting
three recurring concerns: questions of pilgrimage, revelation, and epiphany that link
Frequently Asked Questions | National Gallery of Art https://www.nga.gov/research/center/fellowships/frequently-asked-questions
This link is active after you have submitted your application.
Portrait of a Man (Possibly Peter Vogelsang Sr.) by American 19th Century https://www.nga.gov/artworks/42425-portrait-man-possibly-peter-vogelsang-sr
The identity of this elegantly dressed man has long been a mystery — but the painting provides many clues. We can read the name of the steamship (New Philadelphia) and identify the landscape as the Hudson River Palisades in New Jersey or New York.
Newspaper references link Vogelsang to steamship companies based in New York during
The American People Series #18: The Flag is Bleeding by Faith Ringgold https://www.nga.gov/artworks/224010-american-people-series-18-flag-bleeding
There is something subversive about seeing an American flag dripping with blood. Faith Ringgold knows that, and she doesn’t shy away.
The white people and Black man link arms, but this is not a scene of peace or reconciliation