Schreyach, Northwestern University Related links Current Members Predoctoral
1981 (including Sponsored Research in the History of Art, 1980–1982) Related links
de France 1965–1967 Jakob Rosenberg, Harvard University (emeritus) Related links
The Center for Advanced Study in the Visual Arts resident community of international scholars consists of the Kress-Beinecke Professor, the Andrew W. Mellon Professor, the Edmond J. Safra Visiting Professor, the A. W. Mellon Lecturer in the Fine Arts, and approximately 18 fellows at any one time, including senior fellows, visiting senior fellows, guest scholars, research associates, postdoctoral fellows, and predoctoral fellows.In addition, the Center supports approximately 15 predoctoral fellows who are conducting research elsewhere, both in the United States and abroad.
Breaking Enclosure: The Movement of Art Through Late Medieval Convents Related links
Registration web links, fellowship participation agreements, and more information
Gabriel Metsu was born in Leiden sometime between November 27 and mid-December 1629, about eight months after the death of his father, the Flemish painter Jacques Metsue. In 1644, when fifteen-year-old Gabriel Metsu joined a semiformal group of local artists, he entered the membership rolls as a “painter.� Six days after the establishment of Leiden’s Saint Luke’s Guild in 1648, Metsu paid his membership dues as an independent master.
Strong links with the work of the Utrecht painter Nicolaus Knüpfer (c. 1603–1655
Documentary film on the Fifty-fourth Regiment DVD player to show films Copies of poems (links
They show numerous links to such pictures as the Contest of Apollo and Marsyas (Wadsworth
includes an image and heading information that consists of the attribution and links
With one hand resting on a baton and the other on the hilt of his sword, the sitter turns and looks down at the viewer, his haughty expression consistent with the proud swagger of his pose. As he stands before an evening sky and extensive landscape with a distant view of the bay of Genoa, light glints off his armor and deep-red sashes, draped gracefully across his body and tied to his arm, enhance his bravura.
number of portraits of men in armor during his stay in Genoa, indirect evidence links
