Face of Senwosret III – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544184
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From “the collection of the late Mr. George Baldwin, many years Counsul in Aegypt� (Society of Dilettanti 1835, vol. 2, pl. XXXIX) Between 1786-1796, acquired in Egypt by George Baldwin (1744-1826), British consul general; until 1826, collection of George Baldwin, London; May 9, 1828, sold at the posthumous sale of George Baldwin Collection through Mr
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Inscription: Translation of inscription by A. Lippe in Archives, 1961:“On the eighteenth day of the ninth month, which begins with a mou-shen day, in the fifth year of the Cheng-kuang (period) of the Great Wei (dynasty),
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„Loud“ is not just the description of a sound. It is an attitude. Rock and roll musicians took „loud“ and built it into one of the defining artistic movements of the twentieth century. Fashion, art, politics—all were influenced The
They are the link between the artist and the audience, the physical source of a glorious
PanelOne of the most fascinating and mysterious objects of early Islamic art in the Museum’s collection, this wood panel was acquired in 1937 from the dealer Paul Mallon in Paris
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C.M.A. Groenvelt, Causuarinen Coast, Hollandia, New Guinea, until 1958; Koninklijk Instituut voor de Tropen, Amsterdam, 1958–1961; Nelson A. Rockefeller, New York, 1961, on permanent loan to The Museum of Primitive Art, New York, 1961–1978
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1902, excavated under the direction of R. Koldewey on behalf of the German Oriental Society; 1926, ceded to the Staatliche Museen zu Berlin, Vorderasiatisches Museum, in the division of finds; acquired by the Museum in 1931, purchased from the Staatliche Museen zu Berlin, Vorderasiatisches Museum
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