Devotional Statuette of the Virgin and Child – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464597
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Buddha Offering Protection – Sri Lanka, central plateau – Early Polonnaruva period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/39197
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Stela of the Gatekeeper Maati – First Intermediate Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544005?exhibitionId=%7B36bfd863-bd71-4d58-b1b2-f3f865084dbb%7D&oid=544005&pkgids=331&pg=1&rpp=4&pos=2&ft=*&locale=en
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Sard ring stone – Roman – Imperial, Augustan or Julio-Claudian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/243648
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Bronze greave (shin guard) – Greek, South Italian – Classical – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/256033
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Fragment of a Queen’s Face – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544514
Link to the Artist Project Barry X Ball on an Egyptian fragment of a queen’s face
Shabti of Seti I – New Kingdom, Ramesside – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544763
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Walt Disney Studios – The Vultures – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/371922
Inscription: Two stickers affixed to verso of mat; across top sticker: „Original Work From / SNOW WHITE / and / THE SEVEN DWARFS“; across bottom sticker: „This Material Inflammable / HANDLE WITH CARE / Frame Under Glass / Copyright 1937 / WALT DISNEY ENTERPRISES“
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Attributed to Polygnotos – Terracotta pelike (jar) – Greek, Attic – Classical – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/254523?exhibitionId=%7Ba5d24936-6862-4f74-89bd-a199111fdfd4%7D&oid=254523&pkgids=469&pg=1&rpp=4&pos=3&ft=*&locale=en
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God Horus Protecting King Nectanebo II – Late Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544887
Purchased from Eustache de Lorey, Paris, 1934; continuously exhibited and frequently published since that time; included in interational exhibition Cleopatra’s Egypt, Brooklyn and Munich, 1988, and La Gloire d’Alexandrie, Paris 1998
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