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The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
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Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
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This altarpiece depicts Saint Roch (ca. 1348–1376/79), known as a plague saint for his miracles in curing the sick. He became a popular figure in art following the Black Death in the fourteenth century and the Italian plague outbreak of 1477–79
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1927-1928, excavated under the direction of Sir Leonard Woolley on behalf of the Joint Expedition of the University Museum, University of Pennsylvania and the British Museum; ceded to the University Museum in the division of finds; acquired by the Museum in 1933, purchased from the University Museum
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Muzzarelli chapel, church of the convent of Sant’Andrea Apostolo, Ferrara (until at least 1787); Prince Eugène de Beauharnais, Herzog von Leuchtenberg, Munich (until d. 1824; cat., 1825, no. 40); Herzogen von Leuchtenberg, Munich and St
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In this painting, the Madonna and Child are flanked by Saint Francis to the left, shown in the gray habit of the Franciscan order and holding the cross within his stigmata-marked hand, and Saint Jerome to the right, attired in the red robes of a cardinal, signifying his service to Pope Damasus I (305–384 CE)
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Brownlow Cecil, 9th Earl of Exeter, Burghley House, near Stamford, Northamptonshire (by 1847) ; William Alleyne Cecil, 3rd Marquis of Exeter 1825–1895, Burghley House, near Stamford Northamptonshire (until 1888) ; Marquis of Exeter sale, Christie, Manson & Woods, London (June 9, 1888, no
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Inscriptions from left to right:Divine speech (of Amun):…[nb tA.wj] Nswt-bj.tj nb-xpt-ra zA-raw MnT.w-[Htp.w]pA(w.t) r j(t).w=k nb n-aA-[mr.wt]“…Lord of the Two Lands, King of Upper and Lower Egypt Nebkhepetre, Son of Re Mentuhotep…Provisions more than all your ancestors inasmuch as…“Next, above the papyrus plant one could still the remains of a figure of a vulture
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The Artist: Nicholas Hilliard, the son of Richard Hilliard, an Exeter goldsmith, made his earliest known miniatures in 1560. He served his apprenticeship as a goldsmith, beginning in 1562 with Robert Brandon, whose daughter Alice he was to marry in 1576
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