Finial in the Form of a Parrot – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/447086
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Moroni’s portrait of the Bergamasque professor Bartolomeo Bonghi (died 1584) is one of his finest works from the 1550s. Bonghi is shown seated on a Savonarolan-style chair with a book in his left hand, gazing toward the viewer, and with a cityscape through the window beyond
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baron Arthur de Schickler, Martinvast, France (by 1908–d. 1919); his daughter, comtesse Hubert de Pourtalès, Martinvast (1919; sold to Duveen); [Duveen, Paris, and Wildenstein, Paris, 1919, as by Alvise Vivarini; sold to Salomon]; William Salomon, New York (d
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?Jean Dollfus, Paris (in 1908); sale, Hôtel Drouot, Paris, December 20, 1985, no. 64 [Trinity in present (engaged) frame, but surmounting a Crucifixion], attributed to Alegretto Nuzi, for Fr 280,000 to Wildenstein; [Wildenstein, Paris and New York, 1985–89]
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Inscription: Inscribed in graphite with numerous color notations, including, in left margin: „violet / fond jaune / violet / filaments bleus / fond blanc“; top center: „baguettes vertes et rouges“; right margin: „bleu et jaune le milieu des fleurs / bleu / violet / vert“; far right (oriented perpendicularly): „l’aigle qui [illegible]“Marking: Stamped in red ink, lower left: Delacroixp estate mark (Lugt 838a)
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From a hypogeum (so-called “tomb B�) on the property of Savino Scocchera in Mandorleto Grotticelle, east of Canosa, Italy 1895, found in a tomb near Canosa, Apulia, Italy; [by 1904 and until 1906, with Cesare and Ercole Canessa, Naples and Paris]; acquired in 1906, purchased from C
Avenue in Gallery 162 Figure of a youth removed from funnel-jar 06.1021.248 a, b
Christos Bastis Collection, New York, from 1975; exhibited as a loan to the Brooklyn Museum, 1975-1999, in the major traveling exhibition Africa in Antiquity (Brooklyn, Seattle, New Orleans, The Hague, Netherlands) 1978-1979, and in the exhibition Antiquities from the Christos G
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