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Giovanni Domenico Tiepolo – A Dance in the Country – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437812

A traveling troupe of commedia dell’arte actors entertains a party of Venetians enjoying a summer holiday on the mainland. Such performances often ended with a minuet, depicted here. The dancing couple may be the lovers Lelio and Isabella (sometimes called by other names), the only actors in the troupe who did not wear masks
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Adélaïde Labille-Guiard – Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436840

Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
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Paulus Bor – The Disillusioned Medea – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435713

This painting, one of Bor’s finest works, dates from about 1640. Its subject and its relationship to a similar picture in the Rijksmuseum, Amsterdam, have been debated, but it is likely that the two canvases were painted as a pair and depict the complementary stories of the disillisioned Medea and Cydippe with Acontius’s apple (see fig
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Donato de‘ Bardi – Madonna and Child with Saints Philip and Agnes – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435602

The Artist: Only during the last five decades has Donato de‘ Bardi emerged as an important figure in the history of north Italian painting, notable for the manner in which he responded to Netherlandish and French painting and set the stage for the achievement of Vincenzo Foppa—the outstanding painter of fifteenth-century Lombardy
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Dieric Bouts – Virgin and Child – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435762

The Artist: Dieric Bouts was initially mentioned by Lodovico Guicciardini as “Dirick d’Haarlem� in his Descrittione di tutti i Paesi Bassi, altrimenti detti Germania inferiore.[1] According to Karel van Mander, whose Schilder-boeck of 1604 described the life and works of 250 European painters of the fifteenth and sixteenth centuries, Dieric Bouts was one of the founders of the Haarlem School of painting
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Attributed to Jean Le Noir – The Prayer Book of Bonne of Luxembourg, Duchess of Normandy – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471883?exhibitionId=%7Bd20ab657-2534-4cc6-bd28-f0deb72d7434%7D&oid=471883&pkgids=584&pg=1&rpp=4&pos=3&ft=*&locale=en

Bonne of Luxembourg (d. 1349) ; Charles V, King of France (by descent, d. 1380) ; Ambroise Firmin-Didot, Paris (until 1882) ; his sale, Hôtel Drouot, Paris (June 12–17, 1882, no. 3) ; Baron Horace de Landau, Florence (d
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