1967, excavated under the direction of David Stronach and John Hansman, representing the British Institute of Persian Studies and the Oriental Institute of the University of Chicago; acquired by the Museum in 1969, as a result of its financial contribution to the excavations
Share https://www.metmuseum.org/art/collection/search/325991 https://www.metmuseum.org
In this painting, the Madonna and Child are flanked by Saint Francis to the left, shown in the gray habit of the Franciscan order and holding the cross within his stigmata-marked hand, and Saint Jerome to the right, attired in the red robes of a cardinal, signifying his service to Pope Damasus I (305–384 CE)
Share https://www.metmuseum.org/art/collection/search/436335 https://www.metmuseum.org
1967, excavated under the direction of David Stronach and John Hansman, representing the British Institute of Persian Studies and the Oriental Institute of the University of Chicago; acquired by the Museum in 1969, as a result of its financial contribution to the excavations
Share https://www.metmuseum.org/art/collection/search/325992 https://www.metmuseum.org
the high altar of the church of San Domenico, Modena (until about 1708–10); John Edward Taylor, London (until d. 1905); his widow, Mrs. John E. Taylor, London (1905–12; her sale, Christie’s, London, July 5 and 8, 1912, no
Share https://www.metmuseum.org/art/collection/search/435616 https://www.metmuseum.org
Bartolomeo Suardi was known as Bramantino after his contemporary in Milan, the great architect Bramante (1443/44–1514); his abiding interest in perspective and architecture, reflected in the background of this rare, private devotional painting, comes from that source
Share https://www.metmuseum.org/art/collection/search/435768 https://www.metmuseum.org
Inscription: Title page inscribed: Nr. 18; porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; extra porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; „Erinnerung an New York“ (lithograph) inscribed (lower left, on verso): Erinnerung an New York / George Grosz; „Straße in der Stadt“ (lithograph) inscribed (lower left, on verso):
Share https://www.metmuseum.org/art/collection/search/491927 https://www.metmuseum.org
the Central Binyang Cave in honor of his father, the emperor Xiaowen (r. 471–99
Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
Share https://www.metmuseum.org/art/collection/search/470328 https://www.metmuseum.org
London: Thames and Hudson, 1992, pp. 90-99. Burtenshaw-Zumstein, Julia T.
Length of Fabric>One of the more popular layouts with Ottoman textile artists, and one that eventually found its way into other media such as ceramic tile decoration, the pattern on this fabric fragment features parallel undulating vines adorned with leaves and flowers
Share https://www.metmuseum.org/art/collection/search/451101 https://www.metmuseum.org
