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From the Grand Béguinage of Louvain, Belgium; Jules Frésart, Liège (1882–sold by 1892, to Figdor); Dr. Albert Figdor, Vienna (by 1892–until d. 1927); his posthumous sale, Paul Cassirer, Berlin (September 29–30, 1930, no
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This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
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Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
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William Roper, a Kentish landowner, lawyer, and four-time member of Parliament, was a member of Sir Thomas More’s household for more than sixteen years and married his eldest daughter, Margaret, in 1521
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