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Attributed to a painter of the Princeton Group – Terracotta neck-amphora (jar) – Greek, Attic – Archaic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/258464

[By 1964 and until 1973, with Herbert Cahn, Basel]; 1973, purchased by Rosemary and George Lois from Herbert Cahn; 1973-2010, collection of Rosemary and George Lois, New York; on loan to the Metropolitan Museum of Art in 1973, 1992, and 1999; acquired in 2010, purchased from Rosemary and George Lois through Bobbie Entwistle of Entwistle London
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Plate with a hunting scene from the tale of Bahram Gur and Azadeh – Sasanian – Sasanian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/327497

[Before 1963, with Ayoub Rabenou]; from 1963, on loan by The Guennol Collection (Alastair Bradley Martin’s collection) to the Museum (L.63.10.2); until 1994, Alastair Bradley Martin’s family; acquired by the Museum in 1994, purchased from The Merrin Gallery, New York
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Zain(?) Hasan Sulaiman Isfahani – Stand for a Qur’an Manuscript – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/446151

Stand for a Qur’an Manuscript (Rahla) A masterpiece of design, this carved book stand, or rahla, is made from a single slab of teak and is framed by inlays composed of various woods in shades of brown and black
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Carpet – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/446951?exhibitionId=%7B67f03ab5-3930-472a-b12a-f5f20ab10ff1%7D&oid=446951&pkgids=417&pg=1&rpp=4&pos=3&ft=*&locale=en

Inscription: Inscriptions: Outer guard band: Qur’an, ch. II, vv. 285, 286Main border: Qur’an, ch. II, v. 256Inner guard band: Qur’an, ch. VII, vv. 203–205 Border of niche: Qur’an, ch
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