Censer with a Lioness Hunting a Boar – Coptic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/468085
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Fragment of a Stela – Coptic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/477752?pkgids=887
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Hector of Troy (?) (from the Heroes Tapestries) – South Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/468232
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Yoruba artist – Lidded Vessel – Yoruba peoples, Owo group – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/316594
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?Workshop of Rogier van der Weyden – Man in Prayer – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435837
featuring notable examples of elderly men by artists such as Hans Memling (https
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Half of a Prayer Bead with the Crucifixion – Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/708069
Inscription: (Exterior legend): [image of a flower] ATTENDITE . ET . VIDETE . SI EST . DOLOR . SICVT . DOLOR . MEVS([image of a flower] Look and see if [there] is sorrow like my sorrow [Lamentations 1:12])(Interior legend): O CRUX
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Marble statue of Aphrodite – Roman – Imperial – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/254697
Alexander, Christine. 1953. „A Statue of Aphrodite.“ Bulletin of the Metropolitan Museum of Art, 11.9: pp. 241–51, bulletin cover.von Bothmer, Dietrich. 1958. „Greek Marble Sculptures
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Jug Decorated with Dolphins and Birds – Middle Kingdom or Second Intermediate Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544822
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Furniture support: lion’s leg – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323568
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Bartolomeo di Giovanni – The Trinity – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435618
?Jean Dollfus, Paris (in 1908); sale, Hôtel Drouot, Paris, December 20, 1985, no. 64 [Trinity in present (engaged) frame, but surmounting a Crucifixion], attributed to Alegretto Nuzi, for Fr 280,000 to Wildenstein; [Wildenstein, Paris and New York, 1985–89]
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