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Bronzino (Agnolo di Cosimo di Mariano) – Portrait of a Young Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435802?exhibitionId=%7B2c98eb4f-1cd0-43dc-912e-1fd5d5ef9c00%7D&oid=435802&pkgids=689&pg=1&rpp=4&pos=1&ft=*&locale=en

This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
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Enthroned Virgin and Child – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/469844

This sculpture is carved out of a single slab of ivory and represents the seated Mary holding the infant Jesus (mostly missing) in her lap. Mary’s face is moon-shaped, with a high, wide forehead, a pointed chin, and almond-shaped eyes
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Porphyry support for a water basin – Roman – Mid-Imperial – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/256126

[With Stefano Bardini, Florence]; between 1893-1905, acquired by William Waldorf Astor in Italy; until 1983, collection of William Waldorf Astor, later First Vicount Astor of Hever Castle and his descendants; July 1983, purchased by Robin Symes through Sotheby’s, London; [from 1983, with Robin Symes, London]; purchased by Mrs
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Francesco Francia – Saint Roch – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436332

This altarpiece depicts Saint Roch (ca. 1348–1376/79), known as a plague saint for his miracles in curing the sick. He became a popular figure in art following the Black Death in the fourteenth century and the Italian plague outbreak of 1477–79
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