Marble funerary lekythos – Greek, Attic – Late Classical – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/248644
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MedalObverse: Equestrian Portrait of Emperor Constantine (r. 307–337)Reverse: Allegory of Salvation – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/469911
Inscription: (obverse legend): + CONSTANTIVS / . IN XPO [should be CHRISTO] . DEO . FIDELIS . IMPERAT / OR . ET . MODERATOR / ROMANORVM . ET. SEMPER . AVGVSTVS (Constantine, faithful in Christ [and] in God, emperor and master of the Romans and forever Augustus)(obverse exergue): z34 (234) (reverse legend): : + MIHI : ABSIT : GLORIARI :
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Terracotta statuette of the Diadoumenos (youth tying a fillet around his head) – Greek – Hellenistic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/253371
Said to have been found in Smyrna (Colignon 1892, p. 498) Before 1885, acquired by
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Tile with Floral and Cloud-band Design – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/444897
Two Ceramic Tiles (nos. 02.5.91 and 1971.235.2)Major renovations undertaken about 1578 in the private quarters (or harem) of Istanbul’s Topkapı Palace during the reign of Sultan Murad III (r
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Beaker with Apes – South Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470308
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Tombak – Iranian (Persian) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/501876
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Plate with a hunting scene from the tale of Bahram Gur and Azadeh – Sasanian – Sasanian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/327497
[Before 1963, with Ayoub Rabenou]; from 1963, on loan by The Guennol Collection (Alastair Bradley Martin’s collection) to the Museum (L.63.10.2); until 1994, Alastair Bradley Martin’s family; acquired by the Museum in 1994, purchased from The Merrin Gallery, New York
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Dragon – Spanish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/70011542
From a room above the chapter house of the Monastery of San Pedro de Arlanza, near Hortigüela, Burgos, Spain (sold by the government in the nineteenth century); Private Collection ; [ Sr. Colominas, Barcelona (sold 1931)]
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Drum (Teponaztli) – Mexica (Aztec) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/312583
evidence of that syncretism, and this drum may have been used in colonial times to link
Eug̬ne Delacroix РA Wall Decorated in Spanish Tiles РThe Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/342877?exhibitionId=%7Bfeee1fa2-9e4c-4f43-a108-9fafefbf035e%7D&oid=342877&pkgids=500&pg=1&rpp=4&pos=2&ft=*&locale=en
Inscription: Inscribed in graphite with numerous color notations, including, in left margin: „violet / fond jaune / violet / filaments bleus / fond blanc“; top center: „baguettes vertes et rouges“; right margin: „bleu et jaune le milieu des fleurs / bleu / violet / vert“; far right (oriented perpendicularly): „l’aigle qui [illegible]“Marking: Stamped in red ink, lower left: Delacroixp estate mark (Lugt 838a)
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