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Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/449533

Tughra of Sultan Süleyman the MagnificentThe Ottoman Turkish sultans controlled one of the most efficient, well-organized, and effective governmental bureaucracies of early modern times; at the apex of this governmental structure was the Ottoman Imperial Chancery, which created, copied, and recorded all official governmental orders or decrees, known as firman, as well as treaties and official correspondence
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Fernand Léger – Composition (The Typographer) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/500432?oid=500432&locale=en

Inscription: Signed and dated (lower right, in white paint): F. LÉGER / 17–18; signed and dated (verso, upper left, in black paint): F. LÉGER / 17–18; titled (upper left): LE TYPOGRAPHE [subsequently painted over with white paint and re-titled]: COMPOSITION
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Pin in the form of a lion – Iran – Iron Age II, Hasanlu Period IV – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/325144

1960, excavated under the direction of Robert H. Dyson Jr. on behalf of the Hasanlu Project sponsored by the University Museum of the University of Pennsylvania, the Archaeological Service of Iran, and The Metropolitan Museum of Art; acquired by the Museum in 1961, as a result of its financial contribution to the excavations
collection/search/325144 https://www.metmuseum.org/art/collection/search/325144 Link

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Giovanni Domenico Tiepolo – A Dance in the Country – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437812

A traveling troupe of commedia dell’arte actors entertains a party of Venetians enjoying a summer holiday on the mainland. Such performances often ended with a minuet, depicted here. The dancing couple may be the lovers Lelio and Isabella (sometimes called by other names), the only actors in the troupe who did not wear masks
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