?Jean Dollfus, Paris (in 1908); sale, Hôtel Drouot, Paris, December 20, 1985, no. 64 [Trinity in present (engaged) frame, but surmounting a Crucifixion], attributed to Alegretto Nuzi, for Fr 280,000 to Wildenstein; [Wildenstein, Paris and New York, 1985–89]
collection/search/435618 https://www.metmuseum.org/art/collection/search/435618 Link
Inscriptions from left to right:Divine speech (of Amun):…[nb tA.wj] Nswt-bj.tj nb-xpt-ra zA-raw MnT.w-[Htp.w]pA(w.t) r j(t).w=k nb n-aA-[mr.wt]“…Lord of the Two Lands, King of Upper and Lower Egypt Nebkhepetre, Son of Re Mentuhotep…Provisions more than all your ancestors inasmuch as…“Next, above the papyrus plant one could still the remains of a figure of a vulture
collection/search/548212 https://www.metmuseum.org/art/collection/search/548212 Link
The Artist: Nicholas Hilliard, the son of Richard Hilliard, an Exeter goldsmith, made his earliest known miniatures in 1560. He served his apprenticeship as a goldsmith, beginning in 1562 with Robert Brandon, whose daughter Alice he was to marry in 1576
collection/search/436650 https://www.metmuseum.org/art/collection/search/436650 Link
Here is a link to download the audio instead. Playlist 2080.
collection/search/489991 https://www.metmuseum.org/art/collection/search/489991 Link
collection/search/575822 https://www.metmuseum.org/art/collection/search/575822 Link
collection/search/490000 https://www.metmuseum.org/art/collection/search/490000 Link
The Artist: Nicholas Hilliard, the son of Richard Hilliard, an Exeter goldsmith, made his earliest known miniatures in 1560. He served his apprenticeship as a goldsmith, beginning in 1562 with Robert Brandon, whose daughter Alice he was to marry in 1576
collection/search/436649 https://www.metmuseum.org/art/collection/search/436649 Link
collection/search/49519 https://www.metmuseum.org/art/collection/search/49519 Link
One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
collection/search/435992 https://www.metmuseum.org/art/collection/search/435992 Link
