George Grosz – German Men – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/488575
collection/search/488575 https://www.metmuseum.org/art/collection/search/488575 Link
collection/search/488575 https://www.metmuseum.org/art/collection/search/488575 Link
J. Kenneth Moore, Bradley Strauchen-Scherer, Jayson Kerr Dobney. Musical Instruments: Highlights of the Metropolitan Museum of Art. First Printing. © 2015 by the Metropolitan Museum of Art, New York
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This painting has been dated convincingly to about 1658 (Gudlaugsson 1948–49). The careful dovetailing of shapes between the man and woman is similar to Vermeer’s approach to design at about the same time, but Ter Borch’s style differs strongly in most respects
collection/search/435717 https://www.metmuseum.org/art/collection/search/435717 Link
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collection/search/489814 https://www.metmuseum.org/art/collection/search/489814 Link
Lawrence Rubin, New York; Lewis Cabot, Boston; Lawrence Rubin, New York (in 1967); Carter Burden, New York (in 1972); (sale, Sotheby Parke Bernet, New York, May 21, 1975, no. 203); Peder Bonnier, New York; [Young Hoffman Gallery, Chicago]; [Leo Castelli Gallery, New York]; Roger I
collection/search/485043 https://www.metmuseum.org/art/collection/search/485043 Link
collection/search/359161 https://www.metmuseum.org/art/collection/search/359161 Link
collection/search/324061 https://www.metmuseum.org/art/collection/search/324061 Link
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collection/search/483322 https://www.metmuseum.org/art/collection/search/483322 Link