Fragment, probably of a belt – Iran – Iron Age III – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/324108
collection/search/324108 https://www.metmuseum.org/art/collection/search/324108 Link
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Prayer Bead with the Adoration of the Magi and the Crucifixion – Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464449?exhibitionId=%7B49419ef4-95b9-4237-b6cb-4bb4ccdcc9f7%7D&oid=464449&pkgids=392&pg=1&rpp=4&pos=2&ft=*&locale=en
Inscription: (around exterior of upper half): [image of a flower] ATTENDITE . VIDETE . SI . EST . DOLOR . SICVT . DOLOR . MEV[S] (attend [and] see if there exists pain to such an extent as my pain [Lamentations 1:12])(around exterior of lower half): [image of a flower] LEVEMVS
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Lintel of Amenemhat I and Deities – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544206
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Metalwork by Goto Teijo, 9th generation Goto master, Japan – Koto (ç®�) – Japanese – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/505626
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Antoine Watteau – Mezzetin – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437926
Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
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Furniture plaque carved in high relief with two Egyptianizing figures flanking a volute tree – Assyrian – Neo-Assyrian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/325564
1962, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1962, as a result of its financial contribution to the excavations
collection/search/325564 https://www.metmuseum.org/art/collection/search/325564 Link
Rosary – German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464300
collection/search/464300 https://www.metmuseum.org/art/collection/search/464300 Link
Pablo Picasso – Nude in an Armchair – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/490587?oid=490587&locale=en
[Ambroise Vollard, Paris, sold by winter 1924 to Reber]; Dr. Gottlieb Friedrich Reber, Lugano and Lausanne (1924–37; sold in November 1937 to Cooper); Douglas Cooper, London (1937–d. 1984; inv. no. 65; estate no. DC 35/34; his bequest to McCarty-Cooper); his partner and adopted son, William McCarty-Cooper, London (1984–86; sold in November 1986 to Lauder); Leonard A. Lauder, New York (1986–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–21; gift to MMA)
collection/search/490587 https://www.metmuseum.org/art/collection/search/490587 Link
Gerard ter Borch the Younger – A Young Woman at Her Toilet with a Maid – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435718
This panel of about 1650–51 introduces the most admired qualities of Ter Borch’s mature style (as found, for example, in Curiosity of about 1660–62, The Met 49
collection/search/435718 https://www.metmuseum.org/art/collection/search/435718 Link
Hans Holbein the Younger – Margaret Roper (Margaret More, 1505–1544) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436662
Margaret was the eldest child and favorite daughter of Sir Thomas More. She married William Roper (50.69.1) in 1521. She was born about October 1505, and the age assigned to her in the artist’s inscription indicates that this miniature was painted in 1535–36, shortly after her father’s execution
collection/search/436662 https://www.metmuseum.org/art/collection/search/436662 Link