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This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Here is a link to download the audio instead. Playlist 5102.

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The Master of Varlungo is the name attached to a group of pictures apparently dating from the last two decades of the thirteenth century. His eponymous work is a fragmentary Madonna and Child in the church of San Pietro a Varlungo, Florence
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This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Here is a link to download the audio instead. Playlist 5102.

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By 1968, private collection; [with Emmanuel Koutoulakis, Geneva, Switzerland]; [until 1988, with Robin Symes, Ltd., London]; Decemebr 22, 1988, acquired by Leonard Stern, purchased from Robin Symes, Ltd
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Muzzarelli chapel, church of the convent of Sant’Andrea Apostolo, Ferrara (until at least 1787); Prince Eugène de Beauharnais, Herzog von Leuchtenberg, Munich (until d. 1824; cat., 1825, no. 40); Herzogen von Leuchtenberg, Munich and St
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1927-1928, excavated under the direction of Sir Leonard Woolley on behalf of the Joint Expedition of the University Museum, University of Pennsylvania and the British Museum; ceded to the University Museum in the division of finds; acquired by the Museum in 1933, purchased from the University Museum
Here is a link to download the audio instead.