Moche artist(s) – Warrior figure – Moche – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/314492
Donnan, Christopher B. Moche Portraits from Ancient Peru.
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Anyi-Akan artist – Hornblower attendant figure – Akan peoples, Anyi group – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/310829
Marcel Lheureux, Paris, acquired 1920s]; P. Alsace; [John J.
20/2011–1/29/2012; Rietberg Museum, Zurich, 2/26–6/3/2012; catalogue no. 99, p.
Name Panel from Mortuary Complex of Senwosret I – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/575822
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Marsh Bowl – Early New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/547609
The coffin (12.181.302a, b), the scarab (26.7.432) and the bowl are all on display
Jug – British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/468394?exhibitionId=%7Bb2bd281b-58c0-42e2-af3a-54dfb36fdd79%7D&oid=468394&pkgids=632&pg=1&rpp=4&pos=2&ft=*&locale=en
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Grisaille Panel – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471894
From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905) ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumou sale, Hôtel Drouot, Paris (November 24-25, 1969, no
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Simone Martini – Saint Andrew – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437675
The Artist: Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique, beautifully exemplified in The Met’s painting of Saint Andrew by the description of the hands, the tilted book, and the dangling tassel and the refined tooling of the halo
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Carpet – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/452309
CarpetA so-called ‘thunder-and-lightening’ symbol covers the entire field of this rug. Against this background appear a single, scalloped central medallion and four corner pieces
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Workshop of Bernardo Daddi – The Crucifixion – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436072
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Jean-Baptiste Greuze – Broken Eggs – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436579
Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
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