Bottle – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/453413
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From the abbey of Moutiers-Saint-Jean, near Dijon; M. Ohresser, Moutier-Saint-Jean, France (until 1909) ; [ Demotte Inc., Paris (sold 1909) (?) ] ; Michel Manzi French, Paris (through M. Pagenel, Paris, until 1919) ; [ Demotte Inc
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Ca. 1911, known and possibly purchased by Ernst Herzfeld, near Tell al-Deylam (ancient Dilbat); by 1914, collection of Frida and/or Georg Hahn, Berlin, who most probably acquired it from Ernst Herzfeld; 1939, left on deposit at the British Museum by the Hahn family; acquired by the Museum in 1947, purchased from Charlotte Weidler, New York, on behalf of Georg Hahn
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Inscription: (in each corner and in center): A [image of a knot] E [reversed] (unidentified)(on scabbard hanging from man on left): AVE : / REGINA . C[AELORVM] (Hail the Queen of the Heavens [reference to one of the Marian antiphons]) (on dog’s collar, left): OFANGRE (too fragmentary for interpretation) (on dog’s collar, center): A [image of a knot] E [reversed] (unidentified)
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Recent studies of Van Gogh’s canvas supports, undertaken by the Thread Count Automation Project in collaboration with the Van Gogh Museum, have used thread count and weave pattern to identify canvases cut from the same bolt
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Here is a link to download the audio instead. Playlist 7022.
1960, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1960, as a result of its financial contribution to the excavations
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Inscription: (as in order on object): Exaseru[n]t . senes . / . los suos ut . no[n] . vide / susAnna . et . / . in co[n]cupiscentia[m] / declinaveru[n]t ocu / re[n]t c[a]elu[m] . dAniel 13 [should be Exaserunt senes in concupiscentiam Susanna et declinaverunt oculos suos ut non viderent caelum, Daniel 13] (the old men were inflamed in desire by Susanna and turned away their eyes so that they might not see heaven [Daniel 13:8-9])
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Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
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