From the abbey of Moutiers-Saint-Jean, near Dijon; M. Ohresser, Moutier-Saint-Jean, France (until 1909) ; [ Demotte Inc., Paris (sold 1909) (?) ] ; Michel Manzi French, Paris (through M. Pagenel, Paris, until 1919) ; [ Demotte Inc
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From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris; [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
collection/search/471988 https://www.metmuseum.org/art/collection/search/471988 Link
Said to be from Idalium, Cyprus (A Descriptive Atlas of the Cesnola Collection…, 1903, vol. 3, pt. 2, pl. LXXVIII, 1) Between 1865 and 1872, excavated in Idalium, Cyprus, by Luigi Palma di Cesnola; afterwards, collection of L
collection/search/245374 https://www.metmuseum.org/art/collection/search/245374 Link
collection/search/469866 https://www.metmuseum.org/art/collection/search/469866 Link
This is an early work by Alessandro Bonvicino, known as Moretto da Brescia, who, along with Girolamo Romanino, was the dominant painter in the city of Brescia (then in the westernmost area of Venice’s mainland empire) in the first half of the sixteenth century
collection/search/437157 https://www.metmuseum.org/art/collection/search/437157 Link
From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg; Dutch or German Private Collection ; [ Sotheby’s, London (July 28, 1939, no. 103) ] ; [ John Hunt, Ireland (1939–sold 1952)]
collection/search/471433 https://www.metmuseum.org/art/collection/search/471433 Link
1911–13, excavated under the direction of Baron Max von Oppenheim; ceded to Baron Max von Oppenheim in the division of finds; acquired by the Museum in 1943, purchased from the Alien Property Custodian, New York
Here is a link to download the audio instead. Playlist 7026.
collection/search/336570 https://www.metmuseum.org/art/collection/search/336570 Link
Inscription: Inscribed: (reverse, in a later hand) Ambrogio Borgognone fe.; (on Christ’s halo) IESVS CRISTV[S]; (on Virgin’s halo) [BE?]NIGNA; (on hem of Virgin’s cloak) NOMEN DOM[I]NI
collection/search/435656 https://www.metmuseum.org/art/collection/search/435656 Link
This crucifix was made to be carried in processions and is painted on both sides. Before entering the Kress collection (Shapley 1966) the two sides were separated, but they were re-united in the Museum in 1988
collection/search/437020 https://www.metmuseum.org/art/collection/search/437020 Link
